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review 2018-03-30 21:12
An intense psychological thriller about a disturbing topic.
The Fear - C.L. Taylor

Thanks to NetGalley and to the Publishers (Avon) for offering me an ARC copy of this book that I freely chose to review.

After reading this novel, which is a page-turner and moves at a fast pace, I checked the reviews, and it is one of these odd cases when I agreed both with the positive and with the negative reviews about the book. Some of them compared it to other novels by C.L. Taylor, an author who has a big following (this novel is a bestseller Amazon UK), but as I had not read anything by her before, I cannot comment on that. But I agreed with some of the other opinions.

The novel revolves around three females, two grown women, and a thirteen-year-old girl. In fact, they are three generations, with Wendy the oldest and Chloe the youngest. We follow the points of view of the three women for most of the novel, although there is more of the story told from Lou’s point of view. Her part of the story is narrated in the first person, while the rest are in the third person, and, at least at the beginning, she is the most active of the three. Due to her father’s death she has to go back to the town where she grew up, to deal with her father’s house, and her past comes back to haunt her, both figuratively and literally, when she sees the man who had abused her (Mike) when she was a teenager and worries that he is at it again. The three women have been affected by what Mike did, and the novel is very good at focusing on the emotions of the characters, that go from love to denial, and to absolute fear. Lou’s account is interspersed with fragments from her diary as a teenager, where we get to fully understand the background of the story and how dangerous this man truly is. The combination of charm, manipulation, and his skill at picking up girls lacking in confidence and easy targets for his advances is well portrayed. The subject matter reminded me of an Australian novel I’ve really enjoyed, The Silent Kookaburra.

The subject remains as relevant (if not more) as ever, unfortunately, and this book offers a good perspective of the psychological damage such abuse can have, not only on the direct victims (that might never get over it) but also on those around them (family, wives, friends…). Should they have believed the abuser’s excuses? Are they guilty by association? What is their responsibility? The book is set in the UK and it refers specifically to changes in Criminal Law (like the introduction of the sex offenders register) but although it does not discuss those issues in detail, I don’t think that would cause difficulty to readers from other places.

The three characters fall (or have fallen) prey to Mike and find themselves in very vulnerable positions. It is impossible not to wonder what one would do faced with their dilemma, particularly that of Lou. Her impulsive actions are extreme and I agree with the readers who have commented that at times the book is over the top, although Lou’s doubts, her continuous hesitation, and her fear feel real. She is not alone in being pushed to the edge, and this is a book where characters do not play safe, rather the opposite.

The writing is fluid, and brings to life the three female characters, whose only connection is through Mike, perhaps with more immediacy in the case of Lou —this is helped by the first person narration and her diary— but it manages to make us empathise and feel for the three by the end of the story. And no, not all of them are likeable, to begin with.  I know some readers worry about head-hopping, but each chapter states clearly which character’s point of view we are following and there’s no possible confusion. Although there are brief moments of relief when things seem to be about to take a turn for the better, this is only to lure us into a false sense of security, and the tension and the pressure keep increasing and so does the pace. The ending is satisfying and will have most readers cheering on.

If you’re wondering what are the negative comments I agreed with, well, I was not necessarily talking about the degree of suspension of disbelief (yes, readers will need a fair deal of this, but as we are engaged with the characters and their plight, this is not difficult to maintain), but about some anachronisms, some details that seemed incongruent to the time when the story is set. I felt that the emphasis on Facebook messages, fake accounts, hacking, etc. seemed excessive for a story set in 2007. Other readers, who decided to research in more detail, discovered that indeed, some of the things mentioned, Apps, songs, etc., were not available yet. One reader noted that she could not understand why the story wasn’t set in the present, as that would have avoided these issues, but another pointed out that some aspects of the plot would only make sense if the story was set up in the recent past (including some of the legal issues). I wonder (as a writer) if the story was originally set in the present but somebody spotted the plot issues and came up with the solution of moving it back in time (without changing some of the modern references).

This novel does a good job of creating believable characters and making readers think about the plight of the victims of paedophiles. Although it might be less satisfactory to die-hard lovers of police procedural books, I think it is difficult to read it without empathising with the female characters and having to pause to reflect on this serious issue. And the questions at the end will further engage book club readers and encourage meaningful discussion. I don’t think this will be the last novel by C.L. Taylor I’ll read and I can easily understand why she is popular. (Ah, and she calls book bloggers book fairies. I like that!)


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review 2018-03-21 20:08
A Nordic noir thriller with two fascinating protagonists, D.I. Hulda Hermannsdóttir and Iceland.
The Darkness - Ragnar Jónasson

Thanks to NetGalley and to Michael Joseph for providing me an ARC copy of this novel that I freely chose to review.

I’ve followed with interest the rise in popularity of the Nordic/ Scandinavian Thrillers in recent years, although I have read random titles rather than becoming a dedicated fan of any single writer. (I’ve also watched quite a few of the crime TV series produced in those countries and I’ve particularly enjoyed Wallander, The Bridge, and The Killing). This is the first novel I read by Ragnar Jónasson, although I suspect it won’t be the last.

The novel contains some familiar elements, although with interesting variations. The main character, Hulda, a Detective Inspector, that works in Reykjavík, is 64 and on her way to retirement. She is surprised by the news that this retirement has been brought forward, and, as an afterthought to keep her quiet, her boss tells her she can work on a cold case of her choice. She chooses the apparent suicide of a Russian girl, an asylum seeker because she mistrusts the lead investigator. The novel, written in the third person, mostly from Hulda’s point of view, follows her last three days in the force. I say mostly because there are other fragments that are told from other characters’ points of view, although at first, it is not that clear who they are. We come to understand how they relate to the main story later, but I must clarify that they are clearly distinct, easy to follow, and do not cause any confusion. They do provide additional information, a different perspective, and they help us understand the story and the characters more fully (and yes, they might also mislead us a tiny bit), although I suspect some readers might catch on faster than others as to their true relevance.

Hulda is a known standard of the genre: the old detective forced to leave the job that is determined to solve one last case before retirement. Only, in this case, she is a woman, and she does reflect on how difficult things have been for her because she is a woman, glass ceiling and all. She does share some of the other attributes sometimes typical of these characters: she is very good but not that very well liked; she has to work alone because she is not a favourite among the other detectives; she resents her younger boss and many of her teammates; she is effective but might bend the rules slightly; she is reserved and has suffered tragedies in her life… The author is very good at creating a very compelling character and then making us question our judgment. At least in my case, I really liked Hulda to begin with, but after a while, I realised that she might be one of those favourites of mine, an unreliable narrator (or, although not directly a narrator, her point of view is unreliable). She makes decisions that are morally questionable; she drinks a bit too much; and well… I am keeping my mouth shut. My feelings for this character went from really liking her, to not being so sure, to not liking her very much, and then… This change in opinion and perception is cleverly achieved and extremely well done, and it reminded me of books like We Need to Talk about Kevin (not the story itself, but the way the writer slowly makes us empathise with a character to later pull the rug from under our feet).

The story is dark in more ways than one. As I said, there are morally grey areas (or even quite dark): the subject matter and the fact that a young asylum seeker and her death are not considered important and have been all but forgotten a year down the line (unfortunately that rings true), Hulda’s own life and the secrets she keeps, and Iceland. Although there is not a great deal of violence (and definitely not explicit), there is a certain unsettling air and a cold and menacing atmosphere, that comes in part from Hulda’s paranoia and her personality (suspicious and mistrustful), but goes beyond it. The setting is very important and it contributes to the story and its effect on the reader. Iceland is a character in its own right. The descriptions of the many locations in the book create a picture in the reader’s mind and help understand how important the place is to the mood, the characters, and their way of life. A place where light and darkness rule people’s lives, and where the inhabitants have adapted to conditions many of us would find difficult and hostile. The title is apt for many reasons (as we learn as we read on). It is a noir novel, where nobody is exactly as they appear at first, and where red herrings, false clues, and side-stories muddy the storyline, adding layers of complexity to what appears straightforward, at first.

The writing is fluid, and versatile, providing different registers and clearly distinct voices for the different aspects of the story and the varied points of view, and although it is a translation, it is well-written and the style fits in perfectly the content. It is not the usual fast-paced thriller, but one that builds up tension and organically incorporates the psychology of the characters and the setting into the story.

A couple of examples:

Time was like a concertina: one minute compressed, the next stretching out interminably.

‘She’s being deported. It happens. You know, it’s a bit like those games of musical chairs you play as a kid. The music starts, everyone gets up and walks in a circle and when the music stops, one of the chairs is taken away and someone’s unlucky.’

The ending… I will not talk in detail about it but although perhaps not unexpected, is a bit of a shocker.

A great (and not long) novel for lovers of Nordic thrillers, or anybody who enjoys thrillers that deviate from the norm. I’d also recommend it to anybody intrigued by Iceland and unreliable narrators. And I’d also recommend it to authors always intrigued by other authors’ technique and voice. I intend to keep reading the series. And enjoying it.

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review 2018-03-16 01:03
The War that Saved my Life
The War that Saved My Life - Kimberly Brubaker Bradley


In the end it was the combination of the two, the end of my little war against Jamie, and the start of the big war, Hitler's war, that set me free.

- Chapter 1


She was not a nice person, but she cleaned up the floor. She was not a nice person, but she bandaged my foot in a white piece of cloth, and gave us two of her own shirts to wear. Miss Smith was not a nice person, but the bed she put us in was soft and clean, with smooth thin blankets and warm thicker ones.

- Chapter 7


Huh, I thought. Imagine dressing up tables. Imagine wasting cloth to dress up tables.

- Chapeter 18


I wanted Mam to be like Susan. I didn't really trust Susan not to be like Mam.

- Chapter 26


Ada was born with a club foot, and because of this, her mom doesn't let her leave the house. But that isn't the worst of it. Ada's mom (Mam) punishes her by putting her in a kitchen cabinet -- sometimes overnight. Mam calls Ada rubbish and tells her no one wants her with her ugly foot. Ada "escapes" this abuse by going somewhere else in her head. 


When Ada finds out her younger brother Jamie is to be evacuated with the other kids from his school, she is determined to go with them. The journey takes them to a small village where families have agreed to take in the evacuated children. Ada and Jamie end up living with Susan Smith, an old, grumpy spinster who doesn't really want them.


Ada is a heart-wrenching character. She has been taking care of her brother all his life, but no one takes care of her. She has suffered unimaginable abuse from the woman who should love her the most. She doesn't know how to accept love and kindness, and she doesn't even think she deserves it. Her mother has told her that her foot is messed up because Ada did something wrong.


Susan has her own issues. She recently lost her best friend and suffers from severe depression. Having Ada and Jamie around gives her something else to think about and an important responsibility - a reason to get up every day and engage with others.


Wow. This book is powerful. It is set in England during World War II. I loved watching Ada's development and bonding with Susan and others in the village. Despite everything Ada has been through (or maybe because of it), she is stubborn and courageous. She is also slow to trust and filled with self-doubt. The last chapter had me in tears.


I recommend this book to kids in grades 4-8 and their adults. I think it will touch their hearts in a major way.

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text 2018-03-15 23:31
Kill Your Darlings - Red Team Round 6 guess
The War that Saved My Life - Kimberly Brubaker Bradley



Using this book because it is historical fiction. (review to follow)

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review 2018-03-14 11:13
Ab in den Papierkorb
Beasts Made of Night - Tochi Onyebuchi

Tochi Onyebuchis Leben ist ein Spagat zwischen seinem Beruf als Anwalt für Bürgerrecht und seinen Bemühungen als Autor. Beide Karrierezweige verfolgt der US-Amerikaner nigerianischer Herkunft mit beeindruckender Professionalität. Er verfügt über Abschlüsse aus Yale, der Columbia Law School und der NYU. Seine Kurzgeschichten und Novellen erschienen in Asimov’s Science Fiction, im Nowhere Magazine und in der Anthologie Panverse Three. „Beasts Made of Night“ ist sein Debütroman, ein Traum, den er sich nach 15 Jahren harter Arbeit erfüllte und der Gerüchten zufolge der Auftakt einer umfangreichen, gleichnamigen Saga sein wird.


Der 17-jährige Taj ist ein Aki, ein Sündenfresser. Sein Körper ist übersäht mit Tattoos, die beweisen, wie viele Sünden-Bestien er erschlug. Diese Manifestationen der Sünde, hervorgerufen durch einen Magier, können zwar getötet werden, erscheinen anschließend jedoch auf der Haut des Aki, während die Schuld der Tat auf den Sündenfresser übergeht. Die meisten Aki verfallen eines Tages dem Wahnsinn. Taj weiß, dass er irgendwann den Preis für sein Talent bezahlen muss, doch noch gilt er als der beste Aki in ganz Kos. Leider ist seine Reputation wertlos, da seinesgleichen als verdorben geächtet werden. Niemand möchte zugeben, die Dienste eines Sündenfressers zu benötigen, schon gar nicht die königliche Familie. Als Taj in den Palast bestellt wird, um den König selbst von einer Sünde zu befreien, ahnt er nicht, dass er in eine abscheuliche Intrige hineingezogen wird, die nicht nur die Beseitigung aller Aki zum Ziel hat, sondern auch Kos zerstören soll. Taj muss handeln. Kann er den Wahnsinn, der bereits in ihm wütet, lange genug zurückhalten, um seine Freunde und ganz Kos zu retten?


Ich finde Tochi Onyebuchi sehr sympathisch. Ich bewundere sein Engagement im sozialen Bereich und seinen Ehrgeiz, parallel zu seinem fordernden Beruf eine Karriere als Autor anzustreben. Ich weiß, dass er mit einer Bipolar-II-Störung lebt und seine Alkoholsucht überwand. Deshalb bedauere ich die folgenden Worte von Herzen: „Beasts Made of Night“ ist eine Katastrophe. Nach der Lektüre war ich völlig geschockt, ich fragte mich ernstlich, ob in meinem Rezensionsexemplar vielleicht Teile fehlten, denn die Geschichte dieses Reihenauftakts fühlte sich dermaßen unvollständig und fragmentarisch an, dass ich ihr nicht einmal folgen konnte. So etwas habe ich noch nie erlebt. Onyebuchi konnte sich offenbar überhaupt nicht in seine Leser_innen hineinversetzen. Er beschreibt nichts, er erklärt nichts, er schubste mich in dieses löchrige Gebilde hinein und erwartete, dass ich mich ohne seine Hilfe darin zurechtfand, während er munter riesige Gedankensprünge vollzog und keinen einzigen Aspekt verlässlich ausarbeitete. Ich stürzte im freien Fall durch die Löcher in Handlung, Chronologie, Worldbuilding und Charakterkonstruktion und konnte zuschauen, wie mir „Beasts Made of Night“ rasant egal wurde, weil ich es nicht begriff. Diese Entwicklung betrübt mich, denn ich ahne, welche Geschichte Onyebuchi eigentlich erzählen wollte und wie sie sich in seinem Kopf abspielte. Er konnte seine Fantasie wohl nicht auf Papier bannen. In einem Interview erwähnte er, dass das Setting Kos von der nigerianischen Stadt Lagos inspiriert sei. Diesen Eindruck teilte ich nicht, mir erschien die ummauerte Stadt wie eine krude Version des antiken Roms, erweitert durch einen wilden Mix östlicher Kulturen und Gebräuche. Was hinter Kos‘ Mauern liegt – keine Ahnung. Da sind Bäume. Mehr weiß ich nicht. Die Gesellschaft, die dieses inkonsistente Bild bevölkert, erschloss sich mir ebenfalls nicht. Hat die königliche Familie nun Macht oder wird Kos in Wahrheit von Magiern regiert? Ich weiß es nicht. Ebenso fehlte mir eine Begründung, wieso die Aki verabscheut werden, obwohl ihr Wert unschätzbar ist. Sie erweisen den Menschen einen unverzichtbaren Dienst, da Sünden nicht nur ideologisch abgelehnt werden, sondern auch „krank machen“. Inwiefern und wieso – ich weiß es nicht. Da sie nun schon als Bodensatz der Gesellschaft gelten, läge es nahe, ihre Tattoos, die sie offen brandmarken, zu verstecken. Tun sie nicht. Warum – ihr ahnt es – weiß ich nicht. Gern hätte ich mich in diesem verwirrenden Ansturm bruchstückhafter Informationen zumindest am Protagonisten Taj festgeklammert, ja, ich wäre bereit gewesen, ihn emotional in einem Todesgriff zu halten, um mich durch „Beasts Made of Night“ hindurchzubringen. Es ging nicht. Ich kann ihn nicht leiden. Er ist arrogant und aggressiv, kein bisschen empathisch und kurz gesagt ein Widerling, der viel zu große Stücke darauf hält, bisher nicht verrückt geworden zu sein. Tolle Leistung. Applaus. Kurz vor Schluss versucht Tochi Onyebuchi dann, die Handlung dieses Schweizer Käses durch eine überraschende Wendung aufregend und unvorhersehbar zu gestalten. Unglücklicherweise war dieser Dreh inhaltlich vollkommen unlogisch. Das fällt allerdings nur marginal ins Gewicht, weil das Vorspiel kaum glaubwürdiger ist.


Es tut mir sehr leid, dass mir „Beasts Made of Night“ nicht gefiel. Ich glaube fest daran, dass Tochi Onyebuchi ein toller Mensch ist, freundlich und hilfsbereit. Seine Pläne, ein erfolgreicher Autor zu werden, würde ich an seiner Stelle jedoch noch ein paar Jahre auf Eis legen. Was diesen Reihenauftakt betrifft, kann ich leider nur einen möglichen Rat aussprechen: ab damit in den Papierkorb und noch einmal ganz von vorn anfangen. In ihrer aktuellen Form hat die Geschichte meiner Ansicht nach nicht einmal Potential, da sie zu viele offene Baustellen aufweist. Ich begreife nicht, wieso das Manuskript überhaupt von einem Verlag angenommen wurde. Aufgrund mehrerer Rezensionen, die ich gelesen habe, weiß ich, dass ich nicht die einzige bin, die so empfindet. Man hätte Onyebuchi vor diesen Negativmeinungen bewahren müssen. Niemand sollte erleben müssen, wie der eigene Debütroman von den Leser_innen in Stücke gerissen wird.


Vielen Dank an Netgalley und den Verlag Razorbill für die Bereitstellung dieses Rezensionsexemplars im Austausch für eine ehrliche Rezension!

Source: wortmagieblog.wordpress.com/2018/03/14/tochi-onyebuchi-beasts-made-of-night
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