The following review will have spoilers, because while a lot of terrible things happen in the beginning of the book, some terrible things happen later in the book which need to be mentioned. The following review has triggers for rape, domestic abuse, suicide, and victim blaming. Here we go.

The only thing that really kept me reading this terrible book was the hope that Asakawa and his friend Ryuji would meet a horrible, painful death. Asakawa and Ryuji are just straight up horrible people and I really can't think of anything positive to say about either of them. Our first introduction to Ryuji comes with a discussion of how many women he's raped. Ryuji practically brags about it to Asakawa. Cementing his status as third most terrible person in this book, Asakawa goes on to say that Ryuji disgusts him, but he still hangs out with him, because there's just something about him. Asakawa proceeds to bring the confessed rapist into his house with his wife and young daughter after his wife has begged him never to bring Ryuji home, which is a totally reasonable request. It gets worse.

Asakawa, fully believing that after watching the tape he will die, attempts to off everybody he has a passing acquaintance with. He first shows the tape to Ryuji, which can be somewhat forgiven because Ryuji insisted on watching it. But Asakawa then goes on to offer to show it to his boss and a colleague. It gets worse.

I guess at this point the author didn't think there were enough reasons to hate his characters, so he added another one. Our budding serial killer leaves the tape laying around his house, unmarked and his wife and young daughter watch it. No warning about the tape, no note, just leaves it laying out. His response, he calls his wife an idiot
several times and thinks about hitting her for endangering their daughter, never mind that he was the one that left the tape out. It gets worse.

Asakawa and Ryuji discover that the tape was created by a woman named Sadako who was killed by Dr. Nagao. Dr. Nagao raped her, killer her, and then dumped her body in a well. Dr. Nagao tells Ryuji and Asakawa that some force compelled him to rape Sadako and then kill her. Way to shift the blame to somebody else. It gets worse.

It's revealed that Sadako was intersex and that she was a virgin. Asakawa goes on to misgender her several times (I hate these characters). Asakawa and Ryuji then proceed to theorize that Sadako was unable to have sex with anybody (really hate them) and so fed up with life, she forced Dr. Nagao to rape her so she wouldn't die a virgin and then kill her (these people are the worst). Asakawa then comes to the conclusion that maybe, note the maybe because he's still unsure, she didn't force Dr. Nagao to rape her, but she definitely forced him to kill her. I can't really say it gets worse from here because I think we've reached the peak of this books awfulness, but it certainly doesn't get better.

It's revealed in the end that Ryuji has never actually raped anybody and he just told Asakawa that to impress him (I can't even). Moving on, our horrible excuse for a human being, I refuse to use hero to describe this guy, rides off into the sunset to save his family, by showing the tape to his wife's parents.

As far as plot goes, I was too focused on the casual attitude to rape, spousal abuse, victim blaming, misgendering, suicide and Asakawa's horror that anybody should die a virgin to focus on it. Did I mention how much I hated Asakawa?

Outlander: Would You Like Some Rape With That Rape?

 

Outlander uses rape like it is literally the only plot device in the world. Need to create some tension? Add a rape threat! Want to show someone is villainous? Make them a rapist! Have to show that 18th century Scotland is dangerous? Rape! Want an amusing anecdote about a character? Rape! Need some romantic scenes between your two protagonists? Rape, dammit!!

I wrote last week about the show’s seeming addiction to rape to create tension, but compared to the book, it suddenly seems mild. Positively restrained. I lost count of how many times the protagonist finds herself either threatened with rape, or very nearly raped, before the male hero swoops in to save the day. If I added in the number of times our romantic hero “wouldn’t be denied” or won’t take no for an answer, there’d be more scenes or rape or near-rape in the book than consensual sex scenes — and believe me, there are a lot of those as well.

And it boggles my mind, because there’s so much that is good about this book. The historical setting is richly described. The characters are great. It’s a fantasy/historical/adventure novel with a female protagonist whose struggles and decisions are front and center in the story, and that’s great. But any attempt to enjoy the story is ruined by the casual appearance of rape, again and again and again.

 

 

Outlander, Diana Gabaldon’s Abusive Romance, May Come To TV

 

Hey, we all have our quirks. Some of us don’t like the hero to have a widow’s peak. And some of us don’t like the hero to beat the heroine.

Yep, that happens in Outlander. It seems like a really good book–Gabaldon is a talented writer, no question–until our heroine, Claire Randall, tries to escape 1743 Scotland in order to get back to her own time. When she ditches the Scottish clan she’s hanging out with to get back to the magic stones that worked as a portal, she gets herself and the Scotsmen into some trouble. Jamie Fraser, the new husband she didn’t ask for, and who unfortunately the reader has probably fallen for by that point, decides he has to punish her for this.

Claire says he can’t beat her. Jamie says, “Did I want to break your arm, or feed ye naught but bread and water, or lock ye in a closet for days–and think ye don’t tempt me, either–I could do that…”

You’re swooning, aren’t you? I’ll give you a moment.

She says she’ll scream, he basically says, “Ha, ha, you sure will,” and he reaches for a belt. When Claire accuses him of being a sadist, he thinks that’s funny, too. “I said I would have to punish you. I did not say I wasna going to enjoy it.” This ends with Claire, as she describes it, “Half smothered in the greasy quilts with a knee in my back, being beaten within an inch of my life.”

Gabaldon is fond of telling people of Outlander: “Pick it up, open it anywhere, and read three pages.  If you can put it down again, I’ll pay you a dollar.” If I’d opened to these pages first, I would have gotten that money, and judging from some other readers’ reviews, I’m not the only one.

Fans dismiss Jamie’s beating of Claire by saying, “It was a different time.” This is a pitiful defense. Human behavior being as variable as it is, it’s a safe bet that some husbands in 1743 Scotland did not beat their wives. Moreover, Outlander is a contemporary novel, and the readers bring more enlightened expectations to the story. Few contemporary romance readers finish a romance about Vikings or medieval knights and think, “That was so unrealistic how the hero never hit the heroine.”

Sadly, some readers opine that Claire deserved it. “I thought it…appropriate since she had endangered everyone and was careless,” says one reader on a forum. Another adds that her ex-husband used to beat her and it was way worse than this scene.

A skillful storyteller can convince the reader of the inevitability of the plot, but the fact remains that Jamie beats Claire because Gabaldon thought it was a good way to develop their love story. The next day, Claire is too sore to sit on a horse–ha, ha! Jamie tells her about all the beatings he got when he was a kid, which is supposed to make his beating her okay. Yeah, I don’t get it either. This conversation ends with Claire saying, for the first time ever,

“Oh, Jamie, I do love you!”

Jamie laughs and laughs, saying how funny it is that she didn’t care about all the good and heroic things he did for her, but when he beat her “half to death” then she says she loves him. Women!

Later Jamie asks Claire, “…Can ye understand, maybe, why I thought it needful to beat you?” She does. Ugh. She adds, “What I can’t forgive…is that you enjoyed it!”

Jamie laughs and laughs again. His beating Claire is the occasion for a great deal of hilarity. “Enjoyed it!…you don’t know how much I enjoyed it.”

Our hero says he deserves credit for not having sex with her right after he beat her, even though he really wanted to. Claire gets angry again, and says, “And if you think you deserve applause for nobly refraining from committing rape on top of assault!”

That is, of course, exactly what Jamie thinks. But at the end of the chapter he promises not to do it again. Flipping through the book today, I notice that Jamie says not long after that he regrets promising not to beat her.

Judging from the Wikipedia summary, one perilous thing after another happens to them in the rest of the book, giving Jamie ample opportunities to be noble, and to get abused himself. Gabaldon seems to love writing about rape. Jamie saves Claire from almost being raped before the beating scene, and apparently she almost gets raped again later, except Jamie says the villain can rape him instead. The villain, being a depraved bisexual, agrees. It sounds as though consent between Jamie and Claire is by no means clear, with some readers characterizing a couple of the sex scenes as rape.

Why do so many people love Jamie Fraser? I’m not sure. Maybe they feel bad for what happens to him later. Maybe his abuse of Claire arouses people who like S&M, even though the scene in the book is nothing like consensual sex play. People can get turned on by fantasy scenarios they would never want to experience in real life. Maybe it’s the Twilight effect: you get a lot of readers who have never read any other escapist romance or fantasy, so they’re like teenagers getting drunk on crappy beer.

I really hope Outlander never gets produced as a series, but if it does, Mr. Hemsworth will not be the star, because he’s too famous. Thank God: it would make me sad to have the guy who played the good-hearted Thor also play a wife-beating hero.

The Wikipedia entry about Outlander claims Jamie doesn’t beat Claire “in a malicious manner.” This is a striking example of a reader imposing her own wishes over the text. We saw a similar thing happen with The Hunger Games when many white readers believed the character Rue, described as having, “Dark brown skin and eyes,” was white. This phenomenon seems to happen when the story doesn’t stick to the reader’s expectations. An innocent little girl must be white. A man who is usually kind must not be an abuser. It’s sad to see such beliefs brought to books, and even sadder to know they are also used to interpret real life.

IN THE WAKE OF ALL OF THE DAMNED RAPE, THREATENED RAPE AND ACTUAL FUCKING BEATINGS - THIS IS MY ONLY SANE REACTION TO LOOKING AT THIS BOOK

...This isn't even taking into account the "Waterhorse" chapter, in which our idiot protagonist sees the Loch Ness Goddamn Monster.  The fuck?

*Book source ~ Many thanks to the author for providing a review copy in exchange for an honest review.

Frankie Morelli is an abusive husband to his wife Angela. Married young she fell into the mindset that she somehow deserved the beatings he gave her. Then one night he went too far and killed her. After he was sentenced to prison he stole from the wrong inmate and was beaten to death. Arriving in Hell, Frankie tries to think of a way to bargain himself out of Hell and into Heaven. He finally hits upon the idea that he could exchange his rotten evil soul for his wife’s purer one. Satan agrees, tells him what he must do and sends him on his journey. Will Frankie succeed? Or will he continue to be a pathetic loser?

This is an interesting idea. Bargain your way out of Hell by trading souls. Angela is a sad case of spousal abuse. If she had just had the courage to get out years before she might have made something of herself. Instead, she fell into the thinking that it was all her fault and making excuses for her pathetic excuse of a husband. Frankie’s journey is interesting and Frankie is completely repellent. I love the twist at the end.  All-in-all an interesting, if painful at times, read.