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review 2017-04-30 18:24
Run! It's too late after you embark
Moby-Dick - Andrew Delbanco, Tom Quirk,Herman Melville

It's not often lately that I find a read that threatens to leave me clueless as to what I'm reading. I'm not talking content here (I'll get to that later), but sheer language. Between the heavy intertextuallity, the word usage and sentences structure, I found myself having no idea what the last paragraph or three meant, and have to backtrack, more than I liked. I though I was over that shit. Conceit corrected.

 

Next, the characters feel like ghosts. Even the narrator sometimes loses substance, becoming something airlike and almost omniscient. They are Ahab's crew. If you want to get all metaphysical, traits of humanity that are driven by one over-consuming. It goes just as well as you could expect.


Last, the story. The thing itself could be spun in a third of the length without loosing anything from the plot. But, and here is where the ambitious bastard trips you, most of the meaning, theme and depth is stored in the fat. All those hazed-eyes inducing chapters? They actually have a point. Damned all those lit analysis classes, much of an overarching understanding of the novel hinges on the Jonah's sermon and the whiteness chapters.

So, is it worth it? Hell if I know. I powered through the thing, even liked it to some extent, and I'm still unconvinced. There is a certain brilliance in what it attempts. To me, the whole idea (and what it feels like to read it) can be encompassed in one passage in ch16: Ishmael goes to Peleg to ask to go whaling for a "desire to see the world" and Peleg tells him to look across the bow of the docked ship. There is nothing but water, says Ishamel, and Peleg answers that's the world he'll see a whaling. You can read a summary of the book as you can see the sea from the shore.The wisdom of going whaling is seriously challenged after all.

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review 2017-04-13 17:21
Friday On My Mind - Nicci French 
Friday On My Mind - Nicci French

All of the Nicci French books, standalones and series work very well for me. There's that depressing tone you expect in a story about people who do horrible things, but there is also a strong sense of moral justice, kindness to the outcasts of society which is Christlike without being Christian (immigrants, the homeless, women, the mentally ill standing in for slaves, women, lepers, and the possessed) the importance of intervention, and so much about accepting the kindness of others. Everyone who knows Klein is devoted to her or in opposition to her, but there is no question that she deserves the devotion. Fortunately, she doesn't walk on water, only near it, so much walking, and such happy descriptions of what her little home means to her, and cats, and baths, and wines and tasty food. It's the same sort of mood that made the Richard Jury series a favorite. Because mysteries are involved with the restoration of order they often are very conservative. Not this series, though; Klein is a bomb-thrower at heart.

 

Klein is surrounded by people in harrowing circumstances and she does her best for others and herself. So the books are quite soothing, despite the dramatic tension.

 

Can't wait to have a go at the Saturday book.

 

Library copy

 

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review 2017-04-12 20:37
Magdalene, by Marie Howe [poetry]
Magdalene: Poems - Marie Howe

I began reading Marie Howe when I was an undergrad taking my first poetry workshops. At first, I wasn't sure I liked her style, which is deceptively simple or plain. This was a contrast to many other poets I was introduced to at the same time, such as Mark Doty and Yusef Komunyakaa. But somewhere along the line, I fell in love with her aesthetic, and that first book of hers I read, What the Living Do, remains a favorite and a touchstone.

 

I now recognize and admire the delicate straightforwardness of Howe's language, which packs as much power as any formal poem or one with more verbal jujitsu. Her lines can be long, with lots of room between them or stanzas. They feel quiet, contemplative, so when there's a turn or revelation coming, it heightens the impact. I'm trying to explain her appeal, but part of it is that I can't. Or I could if I analyzed it to death, and I prefer letting the magic linger.

 

The poems' subjects range from desire to mental health, self-perception, spirituality, and motherhood. Though I don't read the book like one overarching narrative, it does feel like there's an arc; there's a fullness to that arc that somehow replicates the sensation of completing a big, fat novel. You have an idea of a life.

 

Here's a favorite:

 

How the Story Started

 

I was driven toward desire by desire.

believing that the fulfillment of that desire was an end.

There was no end.

 

Others might have looked into the future and seen

a shape inside the coming years --

a house, a child, a man who might be a help.

 

I saw his back bent over what he was working on,

the back of his neck, how he stood in his sneakers,

and wanted to eat him.

 

How could I see another person, I mean who he was--apart from me--

apart from that?

 

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review 2017-04-07 20:54
Atonement by ameliacareful
Atonement - ameliacareful Atonement - ameliacareful
description
This is alternate 'Supernatural' season 11 following 'The Darkness' covering the country at the end of season 10. Sam has amnesia and Dean feels that he is happier that way. A well-written, intelligent fanfic. No wincest.
description
“Most people, when they go to heaven, they get their own special heaven. It might seem like there are other people in it but really it’s their version of the perfect place. But we’re like, I dunno, special snowflakes. We share a heaven. We were never really meant to be apart or some shit.”
Source: archiveofourown.org/works/4362077?view_full_work=true
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review SPOILER ALERT! 2017-04-03 17:13
Thirteen Reasons Why, by Jay Asher
Thirteen Reasons Why - Jay Asher

I've had this book forever but was prompted to finally read it by the series adaptation that just came to Netflix.

 

(Spoiler-free until the note.)

 

The most impressive element of this book is the fact that it takes on toxic masculinity and rape culture head on. It's the sort of book that I'm not sure would have existed when I was going through high school. That alone makes it a relevant, disturbing, but necessary read for students (and teachers, counselors).

 

The story is divided between protagonist Clay's perspective and Hannah's, the girl at the center of the narrative who committed suicide. One day Clay finds a package containing seven cassette tapes, which he must pass on to the next person spoken about on the tapes (one side per person). Each person had a role in Hannah's downward spiral, so the book is set up as a mystery. What happened to Hannah? Why did she kill herself?

 

Each chapter takes on one tape, and as he listens, Clay follows the map Hannah made and slipped in his locker before she died that marks key spots in her story. It was sometimes difficult for me to engage with this structure; someone wandering around listening to audio tapes isn't all that dynamic. I liked the idea of the book's structure but not necessarily its execution.

 

(SPOILERS) I'm also disappointed in the revelation of Clay's role once he reaches his own tape. I understand the choice to keep Clay a "good guy" in the reader's eyes since his is the point of view we're following, but I think the story would be more impactful if there was something he did or didn't do that forced him to reevaluate his own actions or inaction. He does regret leaving Hannah alone, but it's when she asks him to, which felt a bit problematic because generally when a girl tells you to leave, YOU SHOULD LEAVE, so technically Clay did the right thing. He blames himself for not helping her, for not persisting, but it feels like he's making Hannah's pain about him.

 

Clay also feels guilty and angry at himself for not standing up to others when it comes to how girls are treated, and by the end, in the last scene, we're to understand that will change (in contrast to another person on the tapes he runs into earlier, who still seems incapable of understanding his role--or won't acknowledge it). Though there are girls among the thirteen reasons, there's a way in which their roles enact rape culture and patriarchy (not that this makes them beyond blame). At the same time, the potential saviors the narrative suggests could have made the difference are boys/men, which both fairly places the responsibility on their shoulders--but also suggests the old man-as-rescuer trope. (END SPOILERS)

 

Regardless of my concerns, I'm grateful there's a book like this out there, tackling these subjects, and I'm interested in how the show on Netflix adapts its particular structure.

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