by Sandra Kynes
This is a Llewellyn book, definitely targeted at Pagans and Wiccans and about using crystals in magic to enhance magical ritual with the use of crystals.
Unlike a lot of books of this kind, it has a wealth of practical information that would be of interest to anyone interested in gemstones or any mineral that might be used in jewellery. There is some history of the use of gemstones in medicine as well as cosmetics and information about their constituents, followed by a science chapter that I found very interesting indeed. This included information about how crystals help to support life and how crystals are formed and reformed in nature. Also about crystal structures and non-mineral crystals like Amber, jet and petrified wood. The information about optical properties of stones was especially fascinating.
There are many pictures in black and white, but of such good resolution that they work in a book where color might have been expected.
Chapter 3 is about Selecting and Preparing Stones. This one hit my 'new age' meter and I questioned some of the advice, particularly about putting salt water on stones. For many that will do no harm, but opals, especially Ethiopian opals, would lose their color, at least for several weeks.
Chapter 4 on using crystals in magic, however, mostly impressed me. There was some good advice for charging crystals and color correspondences given that actually matched up with older information about associations. I liked the explanation of crystal grids, though I've heard of this idea before.
There were two things I thought needed a warning. One was that you should never stare directly at a candle flame during a divination as it can harm the eyes. I can see the method of watching the flame through a clear stone working okay if the stone was big enough, but I did feel some caution should have been given about keeping the flame completely behind the stone at all times.
The other thing was about using oils. Oil an opal and it will lose its color forever. Other than that, the part about herbs and oils was very interesting as was the mention of the significance of birthstones, though it seemed to skirt around some of the disagreement about which stones belong to each month.
Much of the book is a compendium of stones, giving information about more that a hundred varieties of minerals. It was strong on history and description, but didn't give hardness index.
Appendix A deals with magical properties of stones, while Appendix B lists associated deities. I'm not knowledgeable enough to judge the accuracy of either of these, but found the information interesting and the extensive bibliography suggests that the author did a lot of research.
Over all this was a very good book on the subject with its strengths being on history, science and thoroughness. I may well get a hard copy to keep on my reference shelf.
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Artof4Elements developed and with 7 Authors launched the Alchemy of Love Mindfulness Training Series of 9 fiction and non-fiction books focusing on spiritual growth, creativity and mindfulness. The world of ''Alchemy of Love Mindfulness Training'' explores numerous self development themes. Using a variety of self-development tools from other disciplines such as sociology, psychology, neuroscience, to helping people identify and achieve personal goals.
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A-Ma Alchemy of Love Spiritual Novel by Nuit, Year: 2016.
A-Ma is a historical spiritual fiction book set in the 17th century Macao, China. The main protagonist is Ama, an African alchemist, Goddess, a guru, a lover, a story-teller that inspires and gathers artists, preachers, priests, philosophers from all around the world within the magic settings of her coffee house. ISBN-13: 978-9995754198
Thanks to NetGalley and Two Roads for offering me an ARC copy of this book that I freely chose to review.
Although I am not sure this is ‘the feel-good novel of the year’ I’d have to agree it is a feel-good novel, although perhaps not for everybody.
The novel tells many stories, although it tells two in more detail, those of Anthony and Laura (later of Laura and her new family) and Eunice and Bomber. Although those stories are separated by forty years, they are parallel in many ways: an older man who puts an advertisement for an assistant, a younger woman —very young in Eunice’s case— who ends up becoming a personal friend of the man and whose life ends up enmeshed and entangled with that of her employer, both men’s work relates to literature (Anthony is a fairly successful writer of short stories and Bomber is a publisher), both males die leaving some sort of legacy to these women (and also asking them to fulfil their final wishes). As we read on, we might suspect that the relationship between these two stories runs deeper than at first appears, but it is not confirmed until very close to the end.
There are other important elements in the novel, which functions also as a collection of short stories, as Anthony, after experiencing a terrible loss, started to collect lost things, cataloguing them and using his study for safe keeping, in an attempt at recovering something he had lost himself. Throughout the novel, there are stories about those objects (written in italics so it is easy to differentiate them to the rest) interspersed with the two main stories. We are told, later in the book, that Anthony used those objects as inspiration for several collections of short stories, but the novel allows for several possible interpretations of what these stories really are. Are they imaginary stories? Are they the real stories behind the objects? If they are imaginary short-stories who has written them? Anthony? Somebody else? Each reader can choose whatever explanation s/he prefers and I’m sure there are more possibilities.
I mentioned the two main stories that frame the novel and the short stories within. Each chapter is told (in the third person) from one of the characters’ point of view (mostly Laura or Eunice) and this is is clearly indicated, as it is the year, because Eunice and Bomber’s story develops from the 1970s up to the current days. We get to know his family and follow his father’s illness (Alzheimer’s) that unfortunately later also afflicts Bomber himself. There are comments on movies of the period; there is the wonderful relationship with Bomber’s parents, the two dogs that share his life and an unrequited and impossible love story. Ah, and Bomber’s sister, Portia, her awful behaviour and her even worse attempts at getting her brother to publish one of her rip-offs of well-known and loved classics, that make for hilarious reading, especially for authors and book lovers. I must confess that, perhaps because their story develops over time and it has none of the paranormal elements added to the other, I particularly warmed to it. I found the depiction of the dementia sufferers (both father and son) touching, humorous and bittersweet, and although we don’t get to know Eunice well (other than through her devotion to Bomber and his life-work), she is a character easy to like and some of her actions make us cheer her on.
Laura’s story is that of somebody lost, perfectly in keeping with Anthony’s life mission. She made some questionable decisions when she was younger, married too young and her knight in shining armour turned up to be anything but. She is very insecure and full of self-doubt and that makes her a less likeable character as she pushes people away rather than risk being rejected, but she is also the one who has to change more and work harder to get out of her shell. Sunshine, a young neighbour, Down’s syndrome, also shares her point of view with the reader at times and becomes a member of the family, although she has her own too. She is less hindered by concern about what others’ might think, or what is right and wrong, and she has a special connection (not sure ‘power’ is the right word) with the objects and with the paranormal elements that later appear in the novel. Fred, the gardener, is the love interest, handsome and kind, but he seems to be there to provide the romance and second chance more than anything else, and he is not very well developed.
I’ve mentioned the paranormal elements. There is a ghost in the house and that takes up a fair amount of the book as Laura keeps trying to work out how to make things right. I am not sure this added much to the story but references to Blithe Spirit (that is being performed by an amateur theatrical group in the neighbourhood) put an emphasis on the effect the writer might have been aiming for (each reader can decide how well it works for them).
This is a well-written novel, with effective descriptions of objects, locations and people. There are elements of chick-lit (the descriptions of Laura’s disastrous date, her chats with her friend…), romantic touches, some elements of mystery, plenty of loss, death and second chances, a fair bit about literature… The whole feeling of the story is somewhat old-fashioned (and very British. I’ve lost count of how many ‘lovely cups of tea’ are prepared and drunk during the novel, and although that is partly in jest, yes, there is a fair amount of repetition, foreshadowing and signposting, perhaps unnecessary in this kind of story). Some of the references, including songs and films, will be lost on the younger generations. Everything is fairly gentle; even the bad characters (Portia) are only moderately nasty and they are the object of fun rather than being truly evil. There are gossip and misunderstandings but nothing really awful happens. No gore details, no huge surprises, no hot sex (I think you’ll have to buy Portia’s stories of Hotter Potter for that), and even technology only appears by the backdoor (people send text messages and a laptop and a website appear towards the end, but this is not a book where characters follow mother trends).
Funnily enough, a publisher (rival of Anthony) sums up what the books he publishes should be like, thus:
I know what normal, decent people like, and that’s good, straightforward stories with a happy ending where the baddies get their comeuppance, the guy gets the girl and the sex isn’t too outré.
The structure of the novel and some of the short-stories are not at all like that, but the spirit behind it perhaps it and its charm might be lost on some readers who prefer more action and adventures and a more modern style of writing.
In summary, a gentle read, bittersweet, with plenty of stories for those who love short stories, of particular interest to lovers of books and movies set in Britain, stories about writers, the publishing world and women’s stories. It has sad moments and funny ones but it is unlikely to rock your world.