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review 2018-09-30 14:48
Cambridge by Susanna Kaysen
Cambridge - Susanna Kaysen

London, Florence, Athens: Susanna, a precocious young girl growing up in 1950s Cambridge, would rather be home than in any of these places. Uprooted from the streets around Harvard Square, she feels lost and excluded in all the far-flung cities to which her father’s career takes the family. She always comes home with relief—but soon enough wonders if outsiderness may be her permanent condition. Written with a sharp eye for the pretensions—and charms—of the intellectual classes, Cambridge captures the mores of an era now past, the ordinary lives of extraordinary people in a singular part of America, and the ways we can—and cannot—go home.

Amazon.com

 

 

 

 

Kaysen takes the confusing route and writes a novel featuring a protagonist with the author's name, so keep in mind when reading this -- the Susanna of this story is fictional (but kind of not...wow, I'm not helping here, am I? LOL)

 

At the novel's start, 1950s era fictional Susanna is the precocious, book loving daughter of an economics professor and a former professional pianist. The family relocates often, but wherever they set up home base always seems to be a house full of music, learning, and comedic matchmaking attempts among the house staff. Even young Susanna comments that home life is such a warm and fun environment, she dreads time spent having to attend school. Kaysen offers so many heartwarming interactions within this family, the reader almost begins to feel cheated they're not a member themselves!

 

Even though the child version of our protagonist clearly displays a dreamer's soul early on, full of curiosity about the world, part of her also longs for a stable, established place to call home once and for all. This yearning becomes the basis for her attachment to the college town of Cambridge, Massachusetts. But as she moves beyond childhood into adulthood, she comes to find that even such a town as this with, its picturesque exterior, is not guaranteed to have all the answers her soul craves. 

 

There's no clear-cut, linear progression, per say, to this novel's plot, more like  strung-together episodes of the character's remembrances over a lifetime. What this book does really well is illustrate that sense of nostalgia that people tend to develop when they become increasingly distanced from their memories over the years. Hard disappointments, given enough time, tend to morph into these glowing vignettes that have the older you smirking, "Those were the days."

 

There is something in Susanna (the character) that rings very relatable to many: boredom with school, struggles with math, a love of books. Readers even get a bit of a crash course in Ancient Greek history! There's one section I found especially charming, where little Susanna offers her nine year old perspective on things after her first experiences with reading Greek mythology. 

 

Where the story gets a bit bogged down is in the background minutiae ... great at first, but in some portions of the story the richness turns to overindulgence and ultimately "reader bellyache". Examples: Susanna's teen years -- the description of her first period went on for several pages. Then the environmental details. At first, it's lovely. Especially for any readers enamored with all the best of Massachusetts life: walks around Cambridge parks, vacations on Cape Cod, etc. But after so many pages of it with not much else going on, it can border on tedious. Though this could be argued as a case of reader preferences and what you're in the mood for when you dive into this book. 

 

Cambridge is not the easiest book to explain or class, and it might not be for everyone, but I'd argue there is a definite audience for it. There are for sure some great take away lines I was noting, such as a pessimist being "a disappointed optimist" or the Daria-esque "my long, agonizing apprenticeship in failure had begun." LOL  

 

University town setting, bookish references... a bluestocking's dream! The opening sequence alone -- that first whole page of an artistic deconstruction of the novel's first line -- just screams " word nerds unite!"

 

 

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review 2018-09-27 12:40
Loyalty: The Vexing Virtue by Eric Felten
Loyalty: The Vexing Virtue - Eric Felten

When looking for love and friendship—the things that make life worthwhile—we are looking for loyalty. Who can we count on? And who can count on us? These are the essential (and uncomfortable) questions loyalty poses. Loyalty and betrayal are the stuff of the great stories that move us: Agamemnon, Huck Finn, Brutus, Antigone, Judas. When is loyalty right, and when does the virtue become a vice? As Felten writes in his thoughtful and entertaining book, loyalty is vexing. It forces us to choose who and what counts most in our lives—from siding with one friend over another to favoring our own children over others. It forces us to confront the conflicting claims of fidelity to country, community, company, church, and even ourselves. Loyalty demands we make decisions that define who we are.

Amazon.com

 

 

 

 

Eric Felten, a prize winning columnist for the Wall Street Journal, explores the subject of loyalty throughout the world, using as a basis various areas where this virtue is most strongly valued or illustrated:

 

* Examples throughout world history -- Felten puts a focus on the topic of loyalty as displayed in Greek history (Spartacus, Marcus Pacuvius) and mythology. WARNING: This book contains spoilers for the story of Pyramus & Thisbe from Ovid's Metamorphoses, Eurpides' Orestes, Sophocles' Antigone, and Aeschylus' Agamemnon.

 

* World Literature -- Felten pulls examples of the theme of loyalty from works of Mark Twain, George Orwell, William Shakespeare and 1001 Arabian Nights. WARNING: There are spoilers for Orwell's Animal Farm, Twain's Huck Finn, 1001 Arabian Nights, Shakespeare's King Henry V, The Caine Mutiny by Herman Wouk, and O. Henry's short story, "After 20 Years". Felten also gets into the sad story of Graham Green's youth. Now known for such classics as The Quiet American and The End of the Affair, Green's younger days were marked with heavy stress building from divided loyalties between his family (particularly his father, the headmaster of his school) and Green's school friends. The pressure got to be so much that at one point Green became convinced suicide was the only remaining answer. But as we now know, Green later overcame this dark period but actually went on to denounce the idea of loyalty altogether, at least outwardly. Elements of his work suggest that even in his later years he still saw value in the concept.

 

* Business --  Felten explores the psychology behind brand loyalty people develop for certain products and loyalty programs businesses implement to snag and keep customers

 

* Military / Law Enforcement -- how loyalty / codes of conduct in these environments are developed, in what ways it is important in these groups; when discussing law enforcement and more specifically prisons, gets into "prisoner dilema" and Reid Technique

 

 

Felten even looks at loyalty in regards to the entertainment industry, citing as one example the demise of the marriage between actress Sandra Bullock and motorcycle  manufacturing specialist Jesse James, after Bullock weathered a very public airing of James' adultery. 

 

What makes it one of the most highly regarded virtues and what dangers does one face when loyalty is misplaced? Loyalty in a person is undeniably admirable, particularly when it stems from an honest place without ill intent or ulterior motive. Having people in your life who truly have your back allows one to be more brave, pursue more dreams, attempt more daring feats and ultimately develop a more fulfilling life all around. But what to do, when society places a burden on a person to be loyal to someone who does NOT seem to have the other person's interests at heart? Some will follow orders and remain loyal to the figure anyway, even when the figure's actions move beyond being merely selfish into flat out immoral or illegal. Even so, their followers can STILL get caught up in that sense of loyalty, making it difficult to convince a person to separate themselves from the unhealthy person in their life. It's just one of those things that rarely catches on, at least right away. Here enters Felten's point on how loyalty can become "the vexing virtue... creating moral conflicts".

 

Felten's book pleads the case as to why loyalty is still an important virtue worthy of lifelong pursuit. He writes with an enjoyable humorous tone but the text itself does not remain riveting throughout. This little book only lightly delves into the topic and even there, Felten's points sometimes become repetitive, his main stance being (as you can guess from the title) on the vexing quality of loyalty... but he hits upon the "vexing" idea A LOT.

 

 

___________

 

EXTRAS:

 

* Here Eric Felten himself talk on the topic of loyalty in this short clip (book trailer of sorts?)

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review 2018-09-10 19:52
My Life In Middlemarch by Rebecca Mead
My Life in Middlemarch - Rebecca Mead

Rebecca Mead was a young woman in an English coastal town when she first read George Eliot's Middlemarch, regarded by many as the greatest English novel. After gaining admission to Oxford, and moving to the United States to become a journalist, through several love affairs, then marriage and family, Mead read and reread Middlemarch. The novel, which Virginia Woolf famously described as "one of the few English novels written for grown-up people," offered Mead something that modern life and literature did not. In this wise and revealing work of biography, reporting, and memoir, Rebecca Mead leads us into the life that the book made for her, as well as the many lives the novel has led since it was written. Employing a structure that deftly mirrors that of the novel, My Life in Middlemarch takes the themes of Eliot's masterpiece--the complexity of love, the meaning of marriage, the foundations of morality, and the drama of aspiration and failure--and brings them into our world. Offering both a fascinating reading of Eliot's biography and an exploration of the way aspects of Mead's life uncannily echo that of Eliot herself, My Life in Middlemarch is for every ardent lover of literature who cares about why we read books, and how they read us.

Amazon.com

 

 

 

 

Journalist Rebecca Mead uses My Life in Middlemarch not only as a platform to revisit George Eliot's classic novel, one that proved to be one of the pivotal reading experiences of Mead's teens and twenties, but also as a way to get better acquainted with the famous author herself. Because Mead provides a respectable amount of thoroughly researched material, though this work initially presents itself as a memoir inspired by a great writer, the biographical portions on Eliot are nothing to scoff at. 

 

A book may not tell us exactly how to live our lives, but our own lives can teach us how to read a book. Now when I read the novel in the light of Eliot's life, and in the light of my own, I see her experience of unexpected family woven deep into the fabric of the novel  -- not as part of the book's obvious pattern, but as part of its tensile strength..."The secret of our emotions never lies in the bare object, but in its subtle relation to our own past," Eliot wrote in Adam Bede. The bare object of a book -- of a story -- might also have a subtle relation to our own past. Identification with character is one way in which most ordinary readers do engage with a book, even if it is not where a reader's engagement ends. It is where part of the pleasure, and the urgency, of reading lies. It is one of the ways that a novel speaks to a reader, and becomes integrated into the reader's own imaginative life. Even the most sophisticated readers read novels in the light of their own experience, and in such recognition, sympathy may begin.

 

 

Born Mary Ann Evans (though she preferred going by "Marian" in her youth), George Eliot grew up in the rural region of southwest England. A whip-smart girl, she was already working her way through the works of Sir Walter Scott by the age of seven! Letters she penned during her teen years show a kind of forced maturity. Her opinions are markedly prudish, pious and judgmental. Surprisingly, she claimed to find dancing and novel reading silly frivolities. But Mead has a theory: she points out that at about the same age Eliot was when she wrote these bold opinions, Mead herself would also strongly preach on topics she actually knew little about -- sex, feminism, politics. Mead suspects that at this point in her life, Eliot was likely just a teen working through the standard growing up period of trying to figure out who you are exactly. Part of that means maybe sometimes making claims you might not necessarily whole-heartedly believe in, simply for the sake of trying the idea on for size. 

 

 

Mead might be onto something, as she goes to show that later on in life Eliot swapped out her religious fervor for an equally intense passion for pseudosciences such as phrenology. Around this point in the book Mead also throws in an interesting bit of relevant trivia: turns out the very term "agnostic" was coined in 1869 by a friend of Eliot's! Eliot goes on to settle into what we'd now likely view as a common law marriage with George Henry Lewes. They weren't officially married (by church standards) but cohabited and behaved as an established married couple would, and many a neighbor gave the two a heavy dose of side-eye for it. Eliot & Lewes were both described as being quite ugly by the times' standards (even Eliot's friend, Russian novelist Ivan Turgenev claimed she "made him understand that it was possible to fall in love with a woman who was not pretty"), but haters be damned, they had the ultimate swoon-worthy bookish beginning to their romance when they met in a bookshop!

 

Henry James on Eliot (in a letter to his father): "She is magnificently ugly -- deliciously hideous. She has a low forehead, a dull grey eye, a vast pendulous nose, a huge mouth full of uneven teeth, and a chin and jaw bone qui n'en finissent pas (never-ending)...Now in this vast ugliness resides a most powerful beauty which, in a few very minutes steals forth and charms the mind, so that you may end as I ended, falling in love with her. Yes, behold me literally falling in love with this great horse-faced bluestocking."

 

Mead's words on Lewes: Lewes, who was two years Eliot's senior, was "the ugliest man in London" according to one member of his literary circle. He was slight in stature, with a receding jaw, protruding teeth that were concealed by a bushy mustache, and dark, intense, intelligent eyes. Jane Carlyle unkindly called him "The Ape," though her husband gave testimony that Lewes was "ingenious, brilliant, entertaining, highly gifted and accomplished." He was quick and clever. The novelist Eliza Lynn Linton, who was not fond of Lewes and thought him coarse and vulgar, nonetheless said that wherever he went there was "a patch of intellectual sunshine in the room." Lewes' bohemian manners and radical precepts were partly inspired by (Percy Bysse) Shelley, of whom as a young man he had described himself as a worshipper, and whose biography he had tried to write when he was just twenty, a project that foundered because he could not get the approval of Mary Shelley, the poet's widow.

 

 

Image result for George Henry Lewes

Lewes & Eliot

 

 

Eliot hoped to find friendly support in her older, married half-sister Fanny Houghton, but Fanny -- having been displaced from her home as a child by their father when he took up with Eliot's mother -- ended up severing communication with Eliot altogether. 

 

Also incorporated in this work are some extra booknerdish gems where  Mead shares details on Eliot's literary friendships or at least run-ins with other greats of the era. Not only is there a discussion on Eliot's friendship (mostly through correspondence) with Harriet Beecher Stowe, but Mead also ties in connections to the works of Jane Austen and Charlotte Bronte. here and there throughout the whole book. 

 

She (Eliot) was sometimes satirical, as in her secondhand report of Dickens' house on Tavistock Square: "Splendid library, of course, with soft carpet, couches, etc. such as become a sympathizer of the suffering classes," she wrote. "How can we sufficiently pity the needy unless we know fully the blessings of plenty?"

 

So yeah, not quite a full biography of Eliot, not entirely a traditional memoir for Mead, but somewhere in between. I will say it seemed to be closer to an Eliot bio than memoir, thought the title and synopsis would suggest something different. Mead DOES have her own personal connections in here, just maybe not as much as you might expect. Some reviews suggest this was a disappointment to a percentage of readers, but I myself wasn't hung up on that so much. Mead at least keeps things consistently interesting, which, for this book at least, was good enough for me.

 

 

 

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review SPOILER ALERT! 2018-09-08 18:21
When Mountains Move (Free #2) by Julie Cantrell
When Mountains Move - Julie Cantrell

In a few hours, Millie will say “I do” to Bump Anderson, a man who loves her through and through. But would he love her if he knew the secret she keeps? Millie’s mind is racing and there seems to be no clear line between right and wrong. Either path leads to pain, and she’ll do anything to protect the ones she loves. So she decides to bury the truth and begin again, helping Bump launch a ranch in the wilds of Colorado. But just when she thinks she’s left her old Mississippi life behind, the facts surface in the most challenging way. That’s when Millie’s grandmother, Oka, arrives to help. Relying on her age-old Choctaw traditions, Oka teaches Millie the power of second chances. Millie resists, believing redemption is about as likely as moving mountains. But Oka stands strong, modeling forgiveness as the only true path to freedom. Together, Bump, Millie, and Oka fight against all odds to create a sustainable ranch, all while learning that the important lessons of their pasts can be used to build a beautiful future.

Amazon.com

 

 

 

* WARNING: If you haven't read the first book in this duology, INTO THE FREE, there are spoilers below. 

 

 

So here we are in the second book and Millie has made a choice regarding a direction for her life. She remains unsure if it's the right choice, but it is a choice nonetheless. She knows she loves Bump, but does she love him enough to make it last forever? She's at least willing to give things a try. 

 

Moving forward as newlyweds, they relocate from Mississippi to Colorado, where Bump's Mississippi boss owns a ranch. Bump is hired as the ranch manager, his boss hoping that Bump's skills with  horses will turn the property into a thriving livestock business. In return, Bump hopes to set aside start up money for his own veterinary practice. The Andersons are getting the property to live on rent free, but the house on site is, to put it mildly, ROUGH.

 

While Millie is elbows deep in Suzy Homemaker mode, she struggles with a secret from her old life in Mississippi that she hesitates to reveal to Bump. Almost as if on cue, who makes a surprise arrival at the new homestead by Millie's Choctaw grandmother, Oka. Oka knows a thing or two about secrets and facing hardships head-on. Her presence becomes a much needed ballast for Millie while she gathers strength to face her fears and have that all-important but tough conversation with her husband.

 

To complicate things though, Bump seems to be a little too friendly (in Millie's opinion) with their new redheaded neighbor, Kat. Millie begins to wonder if Bump regrets his decision to start this new life with Millie, which once again leads her down the path of thoughts of whether she herself was too hasty in her own choices. 

 

Though this story is supposed to take place during the years of World War 2, it didn't have much of that feel for me. Minus the occasional mention of food rations, dreaded telegrams from the War Dept. or use of pickup trucks, this could easily be set a hundred years earlier. I was a little disappointed by this, as I'm a huge historical fiction junkie who looks forward to being immersed in the time period I'm promised as the reader, but in this case I could overlook it because of the good story and the important themes behind it.

 

Once again (as she did with Into The Free), Cantrell illustrates the power of having a good support system around you as you move through life, people who honestly believe in you and truly want to encourage you to pursue your dreams. With Bump and Millie, it's also a pretty honest look at the rougher edges of marriage. How do you hang in there when the rosy glow fades a bit and real life sets in? It's tough because Bump was pretty likeable in the first book, but here he gets progressively less so. When Kat comes on scene, Bump's actions get slyly more and more disrespectful toward Millie, the way he dismisses her hard work or knocks her cooking in front of others, just as an example. Meanwhile, Millie is silently showing / battling symptoms of PTSD... but when your husband gets to where he seems annoyed by your very presence, how do you talk about such things?

 

Millie hangs in there though and eventually finds the means to craft a moderately happy life for herself. Personally, I don't really buy what Bump has to say near the end of the book. I'd even go so far as to say she settled. And it irked me that Bump makes himself out to be so innocent and Millie ends up being the apologetic one... Sure, Millie has moments where she catches herself wondering about River, but looking at Bump... there are some scenes in this story that looked seriously shady from a wife's perspective. I do kind of get Millie's line of thought when she explains why she's made these choices, but I couldn't help but close the book feeling that there had to be something so much more fulfilling out there for her than what she ended up with.

 

* For book groups: the most recent edition of the paperback includes discussion guide and writing prompts. 

 

Something else to note -- while another of Cantrell's books, The Feathered Bone, has been packaged to match the new covers of Into The Free and its sequel When Mountains Move, I believe The Feathered Bone is actually not tied to Millie's story, but in fact its own separate story. 

 

 

 

FTC DisclaimerTNZ Fiction Guild kindly provided me with a complimentary copy of this book in exchange for an honest review. The opinions above are entirely my own. 

 

----------------

 

My reviews for Julie Cantrell's other books:

 

Into the Free (Free #1)

The Feathered Bone 

Perennials

 

 

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review SPOILER ALERT! 2018-09-08 15:54
Into The Free (Free #1) by Julie Cantrell
Into the Free - Julie Cantrell

In Depression-era Mississippi, Millie Reynolds longs to escape the madness that marks her world. With an abusive father and a “nothing mama,” she struggles to find a place where she really belongs. For answers, Millie turns to the Gypsies who caravan through town each spring. The travelers lead Millie to a key that unlocks generations of shocking family secrets. When tragedy strikes, the mysterious contents of the box give Millie the tools she needs to break her family’s longstanding cycle of madness and abuse. Through it all, Millie experiences the thrill of first love while fighting to trust the God she believes has abandoned her. With the power of forgiveness, can Millie finally make her way into the free?

Amazon.com

 

 

 

 

POTENTIAL TRIGGER WARNING: This novel includes scenes of domestic abuse, rape, suicide and violence towards animals. 

 

 

In Depression Era Mississippi, Millie Reynolds is a young girl dreaming of the day when she can escape her oppressive life with an abusive, alcoholic father and and a mother who refuses to stand up to him. Millie is of mixed race, her father being Choctaw, her white mother disowned by her well-off family for marrying him. 

 

For six years straight, Millie watches a band of Travelers roll through town each spring, but one year she plucks up the courage to actually speak with them. She ends up befriending River, a young man within the group. Millie grows increasingly drawn to him, especially his deep love for nature and literature. One day, River suggests Millie go with the Traveler group (most referred to as gypsies in this story, but see the note at the bottom of this review) when they get ready to leave again. Just as she's about to take him up on the offer, tragedy strikes and within just a few short months, Millie (still under age, btw) finds herself orphaned. 

 

"She's not crazy. She's just sad. You would be too. How would you feel? If they hauled you off. In a straight jacket. Just because -- you needed -- to cry -- for a little while?"

 

Though tempted to stay, River makes the choice to carry on with his group. Millie can't bring herself to go but hopes opportunity will arise soon to bring River back her way. In the meantime, Millie agrees to move in with Diana Miller, the nurse who looked after Millie's mother in the hospital prior to her death. Shortly after moving in, Millie is stunned to find that this one small choice proves pivotal in her finally finding answers to long buried secrets within her own family. Here, of all places! As one of the characters in this duology likes to say, no such thing as coincidence (or so it would seem)!

 

I'm  certain I have never seen such a perfect house in all my life. Everything in its place. No dust on the floor. No broken hinges, hole-punched walls, or mildewed windowpanes. I am intimidated by the sudden lack of chaos. Knowing that life could be like this. That home could mean something secure and safe. 

 

As Millie works through these discoveries and mourns the absence of River, she meets another young man, Kenneth "Bump" Anderson, a skilled veterinarian and horse breaker who worked the same rodeo circuit as Millie's father. Almost immediately, Bump seems enamored with Millie, but of course wants to play it cool. Bump places himself in Millie's path as an honest, reliable, caring friend who gets her a job at the same rodeo. Not only does she get a chance to work with the horses she loves and gain some free therapy out of it, but Bump has an excuse to be around her that much more! While his feelings for her intensify, she's just a big ol' emotional mess inside, unsure of what she really wants out of life anymore. Millie sees and appreciates Bump's steadiness and kind heart, but is that enough when compared to the fire River used to bring out in her?

 

If only we didn't have to go to church. It's the only time Diana lets me leave the house, and she insists I join their family every Sunday morning. At nine o'clock sharp, we all pile into the third pew to the right... It's the longest hour of my week. Sitting on the cold, hard bench, all dressed up in a fancy new dress, acting a certain way to impress the churchgoers. I do as expected and play the part of a "fine young Christian girl".

 

But everything about the sermons, the customs, the tithing -- it all seems so hypocritical. Especially when the preacher talks about Indians and how they worship false gods. Says they will burn in hell for eternity, as their ancestors have done before them. Same goes for Mormons, Jews, Catholics. Of course, he also counts unwed mothers and those who have divorced. Negroes, even if they do go to a Christian church. From what I can tell, anyone not white-skinned, baptized, married and putting money into this very offering plate every Sunday is destined to infinite torture. "Heaven must not be a very big place," I whisper to Camille. She laughs and Diana gives us a look. 

 

Of course, suicide results in eternal damnation. And consuming alcohol too. Dancing. Swearing. Even thinking of sin is as bad as committing sin, according to this guy. So, the way I figure it, with Choctaw blood, an alcoholic father, and a mother who used a secret stash of morphine to take her own life, I have no choice but to burn in hell too. Pretty dresses and shiny shoes won't help me.

 

Despite all that, some folks still hold out hope to save my soul. My name is on the prayer list every week, which means families like Diana's are talking about me over supper, lifting me up to the heavens. The rodeo-trash half-breed. 

 

Though the plot is tinged in sadness and deals with some heavy topics, there is still a pervasive warmth and sense of comfort to the overall tone of the story. Maybe it's Millie's hopefulness that one day all this craziness will make sense. Maybe it's the idea that family doesn't necessarily have to be blood-related. One just finds themselves matching Millie's emotions as they read: you feel for her, struggle with her, yet you can't help but feel optimism for her because it's undeniable that she's got a good support crew around her, even if she doesn't always notice them in the darker moments.

 

I don't want to end up like Mama, weak and submissive. I also don't want to turn out like Diana, with a lack of trust due to secrets untold. I sure don't want to follow Jack's course, abusive and aggressive, fighting against love and loss even after the chance for a fresh new start. And I don't want to spin out of control like Bill Miller, bitter and vicious because I didn't get my way. Maybe there is another choice... I am here. I am here for a reason. For something more than to just breathe, blink, swallow. I am worthy of happiness and love. Worthy of a good life filled with good people who love me in return. And no one, no one has the right to rob me of that peace.

 

 

Our main girl is an admirably, honestly flawed character. Her emotions run hot, she second-guesses herself pretty regularly, she has struggles with faith and gets frustrated with God. But through it all her heart is in the right place. She honestly cares for everyone in her life, even those who wrong her. Millie's story is an illustration of learning to never let anyone tamp out your inner light, steal your smile, etc. Through Millie's experiences, author Julie Cantrell also lightly plays with the topic of afterlife and the thin veil between those we've lost and how they continue to help us on this plane. An additional reminder to readers that you're never quite as alone as you might sometimes feel. 

 

* Note on the term "gypsy": At the end of this book, author Julie Cantrell includes a note which explains that while the term "gypsy" is actually considered derogatory throughout most of Traveler or Romany culture, for historical accuracy she decided to keep it in the text. 

 

* For Book Groups: the most recently published paperback edition includes pages of in-depth discussion questions, an author interview, and a "Just For Book Groups" section where Cantrell encourages groups to reach out to her (via social media) with requests for video chats / interviews.

 

Something else to note -- while another of Cantrell's books, The Feathered Bone, has been packaged to match the new covers of Into The Free and its sequel When Mountains Move, I believe The Feathered Bone is actually not tied to Millie's story, but in fact its own separate story. 

 

 

 

FTC DisclaimerTNZ Fiction Guild kindly provided me with a complimentary copy of this book in exchange for an honest review. The opinions above are entirely my own. 

 

_____________

 

My reviews for Julie Cantrell's other books:

 

When Mountains Move (Free #2)

The Feathered Bone 

Perennials

 

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