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https://www.amazon.co.it//dp/B09YYVMTR8 999 or Playing the Glass Bead Game with Pythagoras by Nataša Pantović #historicalfiction book is FREE in the {It} market
Source: www.amazon.co.it//dp/B09YYVMTR8
https://www.amazon.co.it//dp/B09YYVMTR8 999 or Playing the Glass Bead Game with Pythagoras by Nataša Pantović #historicalfiction book is FREE in the {It} market
The Great Wave Learning from Van Gogh & Hokusai about 19th Century Art
Reconsidering Transcendence in Art Presence or Absence of divine Learning from Van Gogh & Hokusai by Nataša Pantović
The late 1800s was the time of Impressionism as a radical art movement , centered around Parisian painters, the wave that rebelled against classical subject and gave respect to Mother Nature.
Travelling to their thought-form, Vincent van Gogh to the artist friend Emile:
Letter from Vincent van Gogh to Emile Bernard, Saint-Rémy, 1889
“But now look, ... you surely can't seriously imagine a confinement like that, in the middle of the road, with the mother starting to pray instead of suckling her child? Those bloated frogs of priests on their knees as though they're having an epileptic fit are also part of it, God alone knows how and why!
No, I can't call that sound, for if I am at all capable of spiritual ecstasy, then I feel exalted in the face of truth, of what is possible, which means I bow down before the study - one that had enough power in it to make a Millet tremble - of peasants carrying a calf born in the fields back home to the farm.
That, my friend, is what people everywhere, from France to America, have felt. And having performed a feat like that, can you really contemplate reverting to medieval tapestries? Can that really be what you mean to do? No! You can do better than that, and know that you must look for what is possible, logical and true.”
“Now to enlighten you, my dear M. Van Gogh, ... I am searching for and at the same time expressing a general state of mind rather than a unique thought, to have someone else's eye experience an indefinite, infinite impression. To suggest a suffering does not indicate what kind of suffering: purity in general and not what kind of purity. Literature is one (painting also). Consequently, suggested and not explained thought.”
Letter from Paul Gauguin to Theo van Gogh. At this time, Vincent was 36 year old.
The Starry Night Vincent Van Gogh, 1889 & Japanese print Hokusai Great Wave 1833
First seen outside Japan in the 1880s, Van Gogh's brother was one of the first Europeans to collect Japanese prints and has admired Japanese art.
Starry Night (1889), was created while Vincent was a patient at Saint-Paul-de-Mausole Asylum in France
"The artist always comes up against resistance from nature in the beginning, but if he really takes her seriously he will not be put off by that opposition, on the contrary, it is all the more incentive to win her over - at heart, nature and the honest draughtsman are as one.” Vincent Van Gogh to his brother” “The struggle with nature is sometimes a bit like what Shakespeare calls “the taming of the shrew””. Vincent van Gogh Letter to Theo van Gogh, 1881 in Etten, At this time, Vincent was 28 year old.
“A-Ma: Alchemy of Love”, um livro cuja acção se passa na Macau do século XVII. Agora, em entrevista ao jornal Times of Malta, a autora, Nataša Pantović, explica que o romance “é sobre a busca pela verdade”. A história tem como protagonista Ama, uma sacerdotisa africana.
Nataša Pantović escolheu como cenário para “A-Ma: Alchemy of Love” a Macau do século XVII e colocou como protagonistas Ama, uma sacerdotisa africana a morar na região, Ruben, um padre jesuíta português e Benedito, um cristão ortodoxo. Ama reunia artistas, pregadores, padres e filósofos de todo o mundo, dentro dos cenários mágicos do seu café. O livro explora o crescimento rápido de Macau, quer nos horizontes das cidades, quer nas mudanças socioeconómicas.
Retratando a vida na Europa e em Macau no século XVII, a obra é vista como uma fábula histórica e dos hábitos e costumes dos chineses e dos portugueses que viviam em Macau. O livro tem 12 capítulos e Nataša Pantović coloca Deus e outros espíritos a narrar a acção.
A autora do livro, que foi publicado originalmente em 2016, deu agora uma entrevista ao jornal maltês Times of Malta, onde explicou que o romance foi escrito “do ponto de vista da personagem principal, Ama”.
“Todas as minhas personagens têm fortes compromissos políticos, ideológicos e morais, as suas ideias são inovadoras, é uma ciência contra a Igreja, homem contra mulher, uma conversa do Oriente com o Ocidente”, explicou a escritora com ascendência maltesa e sérvia. Neste caso, o tema central é “a busca pela verdade”.
A filosofia da Grécia antiga também é abordada neste livro. Questionada sobre as influências filosóficas, a autora respondeu apenas: “As mudanças que presenciei durante a minha vida foram enormes. Emocionalmente, mentalmente e fisicamente, temos de adoptar diferentes padrões de comportamento, não apenas sobreviver, mas prosperar sem abusar dos outros grupos sociais ou animais ou colocar o planeta Terra em perigo”.
“O facto de haver uma percentagem da população que não vê televisão, não lê jornais e que ainda é capaz de pensar, de apreciar arte ou dançar e cantar, e é capaz de pensar de forma criativa, faz parte do fascínio pela minha investigação”, atirou a autora.
A autora vê Hermann Hesse e Leo Tolstoy como os seus primeiros “guias espirituais”: “Através das suas percepções profundas e mensagens emocionantes, pela primeira vez experimentei o mundo do crescimento espiritual e contemplação profunda”. A escritora diz ter sido influenciada por outros artistas, e destaca Leonardo da Vinci, Lao Tzu e Giordano Bruno.
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