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review 2018-01-19 14:34
Words fail me
A Clockwork Orange - Anthony Burgess

Alright, there is a lot going on in this little piece of poison dripping, mind-fuck of a story, and I don't know that I'm up to the task.

 

First of all, because it's the immediate, I call bullshit on that end (I'm talking of the 21th chapter that was cut-out of the USA version; if you've not read it, this paragraph will make little sense). I read the author's introduction and explanation, and I more or less agree that our empathy and sympathy tends to grow as we mature (and we are more or less savages as kids and teens), but having read the book, I don't believe this level of inner cruelty and utter disregard for other people, or the length it was self-indulged and brought out onto the world can be called "a folly of youth" and hand-waived like that. I do not believe that level of monstrosity is something that can be redeemed, worked out, grow bored out of, and the person just go on to be some well adjusted adult.

 

I also do not know what is to be done with such a person to be honest, even if my knee-jerk reaction if I was the victim would be to kill them. Brain-washing into effectively loosing their free will does not seem to be the answer though.

 

Next: There is a very strong undercurrent of the battle of the generations going on here. The way money is treated, those articles in the diary, and the mention of day hour and night ours, and whom the street belongs to, and even, who has the power in the first part vs. the second, and what it consist on.

 

Actually, the three parts are distillate poison on abuse of power: young hooligans for first, then the police and other punishing/correctional institutions for second, politicians in the third. Everyone screws everyone over, and in the end I hated the lot, little Alex, and his little followers, and the police, and the jailers, and the priests, and the doctors, and the politicians, and the social fighters, and even his victims.

 

Shit, I wouldn't recommend this one, even if I found it oddly compelling *shudder*. It is interesting, and effective, but a vicious way to provoke thought, maybe unnecessarily.

 

Done. Onto "I am Pusheen the Cat", ice-cream and a helping of crack fics for the soul.

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text 2018-01-19 09:59
Reading progress update: I've read 150 out of 213 pages.
A Clockwork Orange - Anthony Burgess

I'm still reading. Oh, my God, I'm still reading.

 

If the first part was trigger fest and violence slide-show (I almost wrote horror-show and then decided it was too twisted), and some bits (and not even the most violent, mind you) gave me real anxiety (it was how close to life some of the situations, initial set ups and general descriptions felt), this second part was the sickening counter-push, just as violent and disturbed, only in a different manner.

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review 2018-01-18 16:41
Scrupulous title
Full Dark, No Stars - Stephen King
  • 1922: Three quotes to define it:

 

"And is there Hell, or do we make our own on earth?"

"The dead don't stop"

“Poison spreads like ink in water.”

 

  • Big Driver: The post reaction was full truth, from the confusion, pain, wound-licking, hiding, weighting paths, shying from the future shame to rage and wanting to get back, all the steps. The gun-totting revenge a real pipe-dream.

 

  • Fair Extension:

"This isn’t some half-assed morality tale."

Said the devil.

 

  • Good Marriage: Holy Molly, this one was disturbing and twisted and awesome. My favorite of the collection.
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text 2018-01-15 07:32
Reading progress update: I've read 135 out of 368 pages.
Full Dark, No Stars - Stephen King

Wow... That was disturbing on all levels, start to finish. Full dark indeed.

 

Two bits on this novella are what I'm thinking on, but I'm too lazy to find the quotes: That we make our own hell right here; and that the dead don't stop.

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review 2017-09-19 01:21
The devil asks you to sign
The Crucible - Arthur Miller,Christopher Bigsby

When ruling is based, and made stringent, on fear of an outside opponent, and someone has the brilliant idea of escalating yet to marking a personal opponent as an outsider, and it catches.

 

Might be easier to stomach going in without knowing how the episode goes and likely part of the reason that one was picked: no way really. Because no sucker-punch surprise horror can surpass the terror of inevitability, of seeing the evil the pettiness, the hysterical fanaticism and envy wreaths, knowing all the while the devastation it lead to.

 

I'm a bit discomfited by the part women play on this, saints or demons with little true humanity, but as a whole, a masterful depiction that ages all too well for my ease of mind.

 

Giles Corey, the contentious, canny old man, takes the badass-crown with his memetic "More weight". He knew what it was all about, and everyone could keep their saintliness debate to themselves. With Proctor the sinner and Hale the naive believer, they make a nice triad.

 

 

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