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Search tags: base-building-and-classics
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review 2017-10-10 03:03
Part good, part meh
The Halloween Tree - Ray Bradbury

A fantasy romp through a narrow selection of death-cellebrating traditions. 12ish feels like the target audience aim.

 

I saw somewhere being said this is to Halloween what a Christmass Charol is to Yule. Well...

 

While I really liked some passages here and there (specially all those Oh, so grim rhymes), it was altogether too hazy and weird for me. I can enjoy weird, but this time I just kept loosing the thread in the story. Charol is still better.

 

 

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review 2017-10-04 23:57
Twisty
The Mysterious Affair at Styles - Agatha Christie

Not as good as the ones I've been reading lately. Some misdirections are too forceful. But it was a fast read that gave me a couple of smiles and it's the beginning.

 

 

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review 2017-09-30 20:12
Hah!
The Murder of Roger Ackroyd - Agatha Christie

That was awesome!

 

No wonder it caused sensation when it was published.

 

 

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review 2017-09-29 13:53
So that's why...
Murder on the Orient Express - Agatha Christie

I've always enjoyed Agatha Christie whenever I picked one of her books, though the level fluctuated somewhat. Now I know why this one is held up there with "And then there were none", and it deserves the praise.

 

The mystery is a good one: closed quarters, and it keeps getting more intricate and tangled with each chapter. This, I expected.

 

What I did not expect, was the emotional charge. I felt intrigued and amused for most of it.

Then mentions of loyalty get dropped here and there, and as it peaked at the end, it dawns: so many people, and it's the real deal.

(spoiler show)

I felt awe, kinship and compassion in the end.

 

So, yeah. Full stars.

 

“In my opinion, M. Poirot,” he said, “the first theory you put forward was the correct one"

 

 

 

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review 2017-09-27 03:48
One more ride
Something Wicked This Way Comes - Ray Bradbury

The carnival comes to town, and it's a strange one. Not just because it's late in the year, or sets up at nigh. Like all carnivals, it promises magic, and magic there is. The kind that grants that most typical wish. Like most things one could want, one should beware of getting it.

 

In a fit of magical coincidence, this one could very well be the spiritual successor of Summer Wine: Greenville, autumn, and after the immortality of childhood, and the awakening self-awareness of twelve, the rush and hunger to grow of early adolescence.

 

A highly atmospheric, imaginative, spooky tale of friendship, coming of age, connecting, and loving the time you have now. At times it got too long-winded for my taste, it detracted from the action parts with detours, or confused me with metaphors, but for the most part I loved it, the emotions it pulled, the characters (the boys as much as the villains).

 

 

 

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