With the slow site performance of the past few days, I forgot until now to post my latest New Books Network interview! It's with Doron Galili about his pre-history of television, which examines both its development and how visionaries conceptualized its role. Please enjoy with my compliments.

Willows High is abuzz with the news: Juniors and Seniors can take a month of school to get a job! Of course, there are stipulations. One must have at least a B average and agree to write a report about their experience.

Barbie's well-connected parents know a couple in Florida who would only be too happy to host Barbie for the month and can pull strings at a television station down there. Barbie is also excited, because there's an exotic animal preserve where Midge could get work as well!

'Barbie in Television' follows the typical format for these books: Barbie gets spectacular opportunity, travels to an exciting location, crushes the opportunity like a boss and dates cute boy. I was hoping that the tease at the start of the book meant that Midge got to have some fun as well, but no dice. It turns out Midge was so focused on cheer-leading in the fall she let her grades slip and doesn't quite make it to the B+ her parents require, so she is denied permission to go on the trip.

Duest at least has Midge call Barbie out on her privilege: pointing out Barbie's internship in New York and being a cover girl for a teen magazine for God's sakes, but, Midge is forced to grin and bear it and be left behind in Willows with Ken and the rest. She also has to admit that its her own fault for trying to have everything the way Barbie does.

Carefree, Barbie is free to make new friends. Her companions are a Brazilian exchange student, Blanquita, who helps Barbie with her elocution and a hotshot baseball rookie, Danny Folger, who's on the cusp of going pro with the "Green Socks"

Barbie stands up to some serious toxic masculine behavior here, ignoring bad pickup lines and unapologeticly doing her job. She, of course, fixes him later, but we'll take the small victories the writers inserted into these books. Another highlight is working woman Pat Larkin, the station's program director who works full time and counts on her husband to take the roast out of the freezer.

Other than Midge's disappointment, the real reason this book gets a heavy star reduction is a "romantic" legend of a Native American warrior falling so in love with the daughter of a Spanish conquistador that after her death she is taken out into the bay and the warrior, plus 50-100 other braves sink their canoes and kill themselves so they can guard her resting place in the afterlife. This legend is the basis of an exciting festival and parade in the Florida town that Barbie visits and is the focus of her teen journalism. Is this based on reality? Because, wow, that's horrible. It certainly sounds like something midcentury America would celebrate.

Other key plot points involve a haunted ruin of a hotel and a mysterious hobo whose house Barbie and Blanquita break into.

Two versions of 'Casuals' #782 from 1961-1964. The striped shirt is a later version. They're missing small gold car keys and I left off their red hats to show off their glorious, reflocked hair. Jon filled in the bald spots and followed the original pattern so they look mint!

Barbie Random House Novels:

Next: 'Barbie, Midge and Ken'

Previous: 'Barbie's Secret'

Homicide: A Year on the Killing Streets by David Simon is a work of non-fiction about the Homicide Unit of Baltimore's Police Department during one year in the 1980's when he was a journalist for the Baltimore Sun. This book was actually the inspiration for the TV show Homicide: Life on the Streets so if you've seen that show you might recognize some of the characters (albeit with different names and ethnicity in some cases). Simon focuses on a few of the key cases that the unit investigated during the year he observed (although it was more like became entrenched in their cases and lives). He managed to both show the very best of what it means to be a sensitive, thorough homicide detective and the lengths that they were willing to take to close out their cases (it's often about the closeout rate). The dark underbelly of the city, its inhabitants, and the men (and lone woman) tasked with solving those most heinous of crimes is laid bare in stark detail. These men (and one lone woman who was rarely a focus in the novel) are distinctly human with foibles like all the rest. Vulgarity, racism, sexism, and a general callousness permeate the department. (Baltimore was none too pleased with the portrayal of their city by the way.) Simon shows that not all cases have a tidy ending and in fact could remain unsolved well past the detective's tenure with the unit. If you're looking for a neat police procedural then you'll be disappointed with this book but if you're interested in the investigative process itself you've hit the jackpot. 5/10

A/N: Keep in mind when this book was written because there are definitely some problematic issues such as racist slurs, derogatory attitudes towards people of color, sexist asides, and general ickiness that made me shudder. I can't be sure how much of this was a product of the times and/or how much is just a part of Simon's character but it was off-putting in the extreme.

What I'm Currently Reading: Miss D & Me: Life with the Invincible Bette Davis by Kathryn Sermak (with Danielle Morton)

A Discovery of Witches by Deborah Harkness ticked all of my boxes. There's werewolves, daemons, vampires, and of course witches with the main setting of the story set at Oxford University and the Bodleian Library. (There are also side plot lines in Scotland and the U.S. but the most detailed descriptions are those that happen at Oxford.) Our main character is Diana Bishop who comes from a long line of witches but who has decided to turn her back on her heritage in order to lead a "normal life". Unfortunately, life has other plans for her. When she calls up a manuscript at the Bodleian it turns out that there are hidden messages in the pages which only she can see...because she's the only one who's been able to successfully call up the book in centuries. Suddenly the entire community of supernatural creatures is very interested in her but none more so than a vampire named Matthew Clairmont...

Part paranormal/supernatural conspiracy theory mystery and part burning hot forbidden romance this book hooked me but good. The only reason I haven't completely dived into the second book is because this is one hefty piece of work at over 600 pages and my TRL is about 5,700 miles long. Rest assured, I will be continuing this trilogy...even if I didn't particularly like the overly complicated plot in the last third of the book. 

Oh and did I mention that it's been made into a TV series? Cause it absolutely has and the guy playing Matthew is scarily accurate to what I pictured when reading this book. O_O 10/10

What I'm Currently Reading: The Hunting Party by Lucy Foley

Television represents one of the most popular modes of advertising. Some of the factors contributing to the growth of the global television advertising market are advancements in technology, strong emotional impact on the consumers, increasing penetration of television sets across emerging regions, etc.

IMARC Group’s report, “Global Television (TV) Advertising Market Report & Forecast 2018-2023”, finds that the global television advertising market reached a value of US$ 242 Billion in 2017, growing at a CAGR of 6.8% during 2010-2017. The primary factor which has led to this growth is the rising number of television sets, especially in the emerging markets. In recent times, the sales of television sets have increased immensely, as around 1.6 Billion households are estimated to own at least one television set. Consequently, the advertisers have gained an opportunity to capture the attention of a huge section of the audience on a single platform and endorse their products and services. Considering the growing popularity of television advertising in the emerging regions, the report further predicts global television (tv) advertising market to reach a value of US$ 353 Billion by 2023.

Request Free Sample Report: https://www.imarcgroup.com/television-advertising-market/requestsample

The report analyses the market trends of television advertising and evaluates the influences which have led this market to overtake other mediums of advertising. Television advertising synthesizes sound with visual graphics which prompt a powerful emotional impact on the viewers and tends to create a lasting impression on their mind. This substitutes for the psychological impact extended by print-advertising or radio-advertising as these target only the optical senses and auditory senses respectively, thereby failing to have a powerful overall impression. Television advertising also facilitates the advertisers to devise ad-content bearing in mind the needs and demands of the target audience.

The report makes a thorough evaluation of the market on the basis of service types which are market segmentation as terrestrial, multi-channel and online television. Although the terrestrial network owns the largest market share, online television emerges as the fastest growing medium of television advertising. Further, the report provides a segmentation of the key regions which include North America, Asia-Pacific, Western Europe, Latin America, Eastern Europe and Middle East & Africa. Currently, North America represents the largest market for television advertising. The report has also covered the competitive landscape of the market with the key players being CBS, Comcast, News Corporation, Viacom and Cox Communications.

This report provides a deep insight into the global television advertising market covering all its essential aspects. This ranges from macro overview of the market to micro details of the industry performance, key market drivers and challenges, recent trends, Porter’s five forces analysis, television advertising pricing models, margins in television advertising, etc. This report is a must-read for entrepreneurs, researchers, consultants, investors, business strategists, and all those who have any kind of stake or are planning to foray into the television advertising industry in any manner.

Browse Full Report with TOC and List of Figure: https://www.imarcgroup.com/television-advertising-market

Related Report by IMARC Group

Mobile Advertising Market: Outlook, Revenue Statistics, Research Report & Forecast 2018-2023

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