This went places I did not expect it to go.
For so short pages, I though it'd make a straight story of what we know would be the subject matter, with a tension building, a reveal and a violent resolution. Those elements where there, after a fashion, but not in the order or at the page number a reader would expect. I was surprised, and pleasantly so. For me, it was a truly horrifying read.
It takes a bit to get to the Island, setting up the atmosphere, and the MC's seeming passiveness or detachment, but also raising some interesting questions with the aftermath of that shipwreck. Things come to a head early and the story follows from those into unexpected paths.
Moreau could have made fast friends with Megele. After that lengthy explanation, when I though I had grasped his cold evil, there were still little pockets of surprise horror to make me shudder, like:
He told me they were creatures made of the offspring of the Beast People, that Moreau had invented. He had fancied they might serve for meat,
Gah! Every time I read it I'm swamped with a wave of... Ick!
I kept thinking back to Frankenstein. The moral burden is a lot less debatable here: Moreau is the indisputable monster. Actually, it's a bit like human nature is the monstrous part. Like the bit about the leopard?
It may seem a strange contradiction in me,—I cannot explain the fact,—but now, seeing the creature there in a perfectly animal attitude, with the light gleaming in its eyes and its imperfectly human face distorted with terror, I realised again the fact of its humanity.
And Prendick seems to subconsciously think it so too, given his sequels. I feel for the guy. Seriously, I was melancholy by the end. Talk about connecting.
Hats off to Wells for this one. Even if he need a synonym dictionary, because "presently" appeared more times than the characters' names combined.