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Search tags: religion-myth-folktales-fables
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review 2020-04-18 21:33
Luxurious package takes some unpacking
The Bloody Chamber and Other Stories - Angela Carter

Do I dare call this full of symbolism, and therefore feel the need to scratch under the surface of these tales? Then again, is there any fairy tale worth it's salt that is not so.

Lets start saying that the way this is written is incredibly sensual. I was surprised because I was sure the first tale (The Bloddy Chamber), would turn up into a hardcore purple prose BDSM. It does not become explicit, but the erotic charge and the tug of war between desire for freedom and sexual or base hungers, innocence and a curiousity for corruption, is heavy and all encompassing on that one and several others in this collection (The Tiger's Bride, The Erl-king).

Puss in Boots was hilarious in all it's terribleness. Not one character in it can be called good, our narrator least of all, and yet. Lots of laughing OMG, no!

 

The Snow Child was... How do you pack it that fast? It takes infinitely more to unpack.

All of them are incredibly evocative. Also disturbing. Oh, and they screw with your mind with the POVs and tenses too.

 

I'm a still quite discombobulated by much of this, and I'm pretty certain I don't get even most  of what this is conveying, but frankly, at some point I started researching some fairy-tale stuff for background, and found out there are whole freaking books essaying on the meanings of this collection, so I reckon I'm good enough just keeping it floating on the back-burners of my mind.

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review 2020-03-26 04:56
Time travelling tales
The Merchant and the Alchemist's Gate - Ted Chiang

Very 1001 Nights style with a matrioshka element. Revisits a bit the determinism theme of "Story of your life", but the final message is somewhat kinder.

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review 2019-08-26 06:37
Cute romp
The Horse and His Boy (Chronicles of Narnia, #3) - C.S. Lewis,Pauline Baynes

Smiled at some bits, laughed at others, and loved the mare most of all.

 

I liked the part about being told only your own story and the detail of the torn back. Oh, and the Pevensies' cameo (reading carefully, there are these minuscule hints of Susan being different than the other three too).

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review 2019-05-20 06:27
Path can be corrected (as many times as necessary)
The Silver Chair - C.S. Lewis,Pauline Baynes

Cute and entertaining, subtly and annoyingly misogynistic, and as entrenched in Christian-lore as ever. The friendships are well done, and the world built is beautiful. The animal companion steals trophy of best loved character yet again.

 

I liked the over-all message of this one a lot better.

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review 2018-10-27 18:25
Since I'm not reading for spirituality's sake
The Divine Comedy - Eugenio Montale,Sandro Botticelli,Peter Armour,Dante Alighieri,Allen Mandelbaum

Done! *cheers* (and an abrupt end it was)

 

I confess I started to loose my enthusiasm by Purgatory, and Paradiso veritably dragged for me.

 

Inferno is indeed the most interesting, likely because it concentrates more on describing the poetic (and in many cases gruesome) justice inflicted there.

 

Purgatory gets a bit wishy washy because we are even more deluged with contemporary examples, which was exhausting from a "pausing to research WTF" whenever I needed context to understand the grade, and felt like self indulgent page bloating when I didn't. And then we get to Eden, pretty cavalcade of symbolism lead by the still much discussed mystery that is Matilda, and meet Beatriz. Ahhhh, the lady herself, that symbolizes theology. Maybe it is no wonder I found her supercilious and overly jealous.

 

I have to praise Dante's balls: first he aligns himself equal among Homer, Ovid and Virgil in that Limbo chat, and here he places his lady love highly enthroned in the Empireum, representing the Dogma by which he knows God.

 

If I could leave Paradiso just taking away that love has been his salvation and his way to heaven, we'd be good. But no, he had to insist on hammering until rigid conformity to scripture was reached. Thorough what felt like endless proselytizing (hey, I know it is my fault, because what was I expecting, right?) and pointing fingers of doom everywhere (the amount of eggs thrown the church's way! And his political enemies... you bet this got him the exile prophesied to him here).

 

Also, even considering some pretty descriptions, the spheres felt lame and boring reward (and here I'm reminded of Huxley calling happiness undramatic and boring, and Le Guin criticizing those that think "Only pain is intellectual, only evil interesting"). Where is the imaginative poetic justice of the first third? Methinks Dante got too tangled in the discussion of virtues and splitting hairs on their display levels. So yeah, I get the whole "watching god and feeling his light is rapture beyond comprehension", I'm still contending that the theological got in the way of the literary, and there goes one star. Sue me.

 

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