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Search tags: gorgeous-writing
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review 2017-09-24 07:23
Ode to momentous summers
Dandelion Wine - Ray Bradbury

*pleased sigh* So gorgeous.

 

Dandelion Wine is a beautiful, whimsical love letter to those memories of summer that are so vivid, so powerful, we can feel the baking sun, the weight and smell of the air, the joy and lassitude when we recall them.

 

It goes from one episode to the next fluidly and with little warning, connecting and weaving them. Add in Bradbury's style and the result is a bit like dreams, a bit like memories, introspective, nostalgic and at points philosophical.

 

There were episodes to pull every shade of emotion, and I loved so many of them I'd have serious trouble picking a favorite. Grandma's cooking made me so hungry and also miss my grandfather very much. Colonel's Freeleigh's bits and John's departure made me tear a bit. I laughed out loud with the witch debacle. Lavinia's had me switch between cheering on and wanting to thump her, and scared me quite a bit. And the lime-vanilla ice-cream one! So many tangled feels!

 

It was an excellent read to savor, and one I'll revisit.

 

 

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review 2017-09-15 05:19
Wholeness, duality, I and Thou
The Left Hand of Darkness - Ursula K. Le Guin

I did not want this to end. I feel a bit bereft, and very emotional, and somewhat fragile (even if Rokkanon's World had prepared me for the possibility). And in awe. Dazzled in awe of how Le Guin can weave this beautiful settings to address concepts, limitations, canons of society, give them new perspectives and lead into discussions well before their time.

 

She did warn in a way, in that introduction. Because, it might be that I had late access to the Internet, and so was somewhat cut out from the world-dialogue, but it looks to me that talk of gradients and varieties of sex and sexuality (beyond the ever polemical homosexual, bisexual or trans-gender, and those as isolated phenomenons at that), is pretty recent. Yet here it is, served as a "fait acompli" in the form of a world where gender has always been a fluid thing, when it's even a thing, and the protagonist just has to deal, get over and past it, once and for all. Let me tell you, I had some fun mocking the MC over his inability to accept, because at some point, it annoyed me. Which is exactly the point of the book, I think.

 

Tied to that, all the issues of friendship, love, miss/understanding, acceptance, and what have you, in an epic sprinkled with back-ground myths and wrapped up in a sci-fi package. And by all the literary muses, I loved it.

 

 

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review 2017-08-19 21:09
Great take on the Cycle
Norse Mythology - Neil Gaiman

It was gloriously awesome. How much of the merit goes to Gaiman and how much always belonged to the myth compendium has little bearing in my enjoyment.

The stories are tall tales indeed: huge, fun, magical, gruesome. The characters are as great as flawed: Odin lies, cheats, seduces and steals; Thor is a block-head to which every problem is a nail (hah); and Loki is the charming psychopath. All this is more or less merit of the Edda.

The book is a fast read, very approachable, very engaging, and the order of presentation and building makes it easy to follow the names and elements. The text is cheeky, and has many little asides that had me in stitches, turning wistful and lyrical as we come to the bittersweet end. All this, plus some nuances to the dialogues that made them hilarious (or creepy, or bittersweet), was Gaiman I reckon.

It is a book I want to buy. I want to re-read it, whole and by pieces. Have it as a reference. Read from to my children. Also, as an object, it is a beauty. Full stars.

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review 2017-06-21 08:46
Even the title is layered
A Room with a View - E.M. Forster

I feel like I read a book twice as long as this was, not because it was heavy or difficult, but because it was so tightly woven. There were layers of meaning, and so much that could be inferred, and for such short pages, many characters get well fleshed out. No line is wasted. There is this... English brevity, I guess, that makes me recall the meandering tone of "Passage to India". Says something about what must characterize each people in Forster's mind, huh?

It is also a quiet way to depict a fast and turbulent romance, which feels weird in a "still waters run deep" kind of way. There is this three-way war going, between mind, heart and manners (or is it pride?, self-image? calcified indecision?), it is evident when you get to the lying chapters, and the weather tends to illustrate it, but before then, before Lucy looses her temper at Miss Bartlet at the beginning of them out of revelatory fright, it's all so sedate. On the outside; Lucy's facing the exterior gets a companion chapter on "The disaster within". She's running from love: it is scary, exiting, something unknown, and unrecognized, and social mores don't help her in disentangling from the muddle.

On the side, we get some awesome darts thrown into time old hypocrisy, such as how emancipated women are perceived or "accepted"; how men think women think about men; people abroad; obligation as it pertains to favors out of honesty (Emerson) or self-serving humbleness (Charlotte); and bunch of stuff I either posted already, or have marked down and can't speedily condense here. In case the main course wasn't enough.

Seriously, this guy had a way with words.

 

Note: I have to get another copy. Mine was abysmally translated. I turned to a digital version in original English after 20 pages or so. If you read in Spanish, avoid translator Marta Pessarrodona. She's a menace and a beast. Word confusions (she translated kitten instead of kite, for example), wrong conjugations (translated "would have" as present simple), change of punctuation, which changes pace drastically and unnecessarily (specifically, Cecil's entrance is most egregious), change of meaning of whole paragraphs (to the point of reading as the opposite). And it ts only what I caught just searching for the paragraphs I wanted to mark down as memorable while reading the digital copy! Much of this I could not understand of someone supposedly getting paid. It would have been more difficult to invent as she did.

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text 2017-06-17 12:46
Reading progress update: I've read 25 out of 240 pages.
A Room with a View - E.M. Forster

Much like with "Passage to India", this is a book to savor for the way it's written and the highly quotable dialogues. So far, in less than two chapters

 

“He is rather a peculiar man.” Again he hesitated, and then said gently: “I think he would not take advantage of your acceptance, nor expect you to show gratitude. He has the merit—if it is one—of saying exactly what he means. He has rooms he does not value, and he thinks you would value them. He no more thought of putting you under an obligation than he thought of being polite. It is so difficult—at least, I find it difficult—to understand people who speak the truth.”

 

Love how he establishes both old Emerson's and Beebe's characters through the later's judgment.

 

“About old Mr. Emerson—I hardly know. No, he is not tactful; yet, have you ever noticed that there are people who do things which are most indelicate, and yet at the same time—beautiful?”
“Beautiful?” said Miss Bartlett, puzzled at the word. “Are not beauty and delicacy the same?”
“So one would have thought,” said the other helplessly. “But things are so difficult, I sometimes think.”

 

“Look at him!” said Mr. Emerson to Lucy. “Here’s a mess: a baby hurt, cold, and frightened! But what else can you expect from a church?

 

“My dear,” said the old man gently, “I think that you are repeating what you have heard older people say. You are pretending to be touchy; but you are not really. Stop being so tiresome, and tell me instead what part of the church you want to see. To take you to it will be a real pleasure.”
Now, this was abominably impertinent, and she ought to have been furious. But it is sometimes as difficult to lose one’s temper as it is difficult at other times to keep it.

 

More establishing of old Emerson (I'm half in love with the old man) and some prickly observations on society too. Forster really likes to point hypocrisy, and that's part of why I've loved what I've read by him so far.

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