Stratford

A Scene at the RSC Book and Gift Shop

The date: June 17, 2017. The time: Approximately 10:00AM.

TA and friend enter; TA asks for a shopping basket and makes straight for the shelves and display cases. An indeterminate amount of time is then spent browsing. Whenever her friend points out something and asks "Did you see this?", TA silently points to the steadily growing contents of her basket.  Finally, with a sigh, TA makes for the cashier.

Shop assistant: I can see why you asked for a basket when you came in ... So, do you come here often?

TA: I try to make it every 2 or 3 years.  [With a sheepish grin:]  And yes, my shopping basket does look like that pretty much every single time, I'm afraid.

TA's friend: I can confirm that ...

TA: Yeah, she's seen my library at home.

TA's friend: Err, I can confirm the shopping sprees as well.

Shop assistant (ringing up and bagging one item after another): Well, enjoy your, um, reading ...!

Similar scenes, albeit minus the above dialogue were repeated at two of the book & gift stores of the Shakespeare Birthplace Trust in Henley Street (WS birthplace) and Hall's Croft (home of his daughter Judith and her husband, Dr. John Hall, a physician) -- where we actually did spend a fair amount of time talking to the museum assistants, too, though, about everything from visiting Shakekspearean sites to Wimbledon tennis.

That being said, we "of course" paid our (well, my) hommage to the Bard, from Trinity Church to the two above-mentioned Shakespeare family houses (return visits all to me, though Hall's Croft was new to my friend), and just as importantly, we had tickets for two of the current "Roman plays" season productions:

(1) Antony & Cleopatra, starring Josette Simon and Anthony Byrne in the title roles, with Andrew Woodall as Enobarbus:  One of the best productions of this particular play that I've ever seen.  Josette Simon alone was worth the price of admission ten times over, plus she and Byrne played off each other magnificently, and Andrew Woodall was unlike any Enobarbus I'd seen before, wonderfully highlighting the ironic subtext of his character's lines and giving him more than a hint of a laconic note.  If you're in England and anywhere near Stratford, run and get a ticket for this production ... or if you don't make it all the way to Warwickshire, try to catch it in London when they move the production there.

(2) Julius Caesar, starring Andrew Woodall as Caesar and James Corrigan as Marc Antony.  I liked this one, too -- how can any RSC production ever be bad?! -- but by far not as much as Antony and Cleopatra on the night before.  Woodall was a fine Caesar, even if actually a bit too like his Enobarbus (which I might not have found quite as obvious if I hadn't seen both plays practically back to back, on two consecutive nights), and the cast generally did a good job, but this was clearly a "look at all our up-and-coming-talent" sort of production, with almost all of the play's lead roles given to actors who were easily 5, if not 10 or more years younger than the parts they played, which didn't quite work for me -- these people are Roman senators and generals, for crying out loud, and for the most part the requisite gravitas simply wasn't there (yet); even if the talent clearly was.  What a contrast to the very age-appropriate and, as I said, just all around magnificent production of Antony and Cleopatra ... Still, I'm by no means sorry we went to see this, and it's obvious even now that we'll be seeing a lot more of these actors in years to come.

We also managed to snag last-minute tickets for a "behind the scenes" tour -- I'd done one in 2014 already, but was more than happy to repeat the experience!  Now I only wish our own opera and theatre company had half the resources that the RSC has at its disposal ...

    
Photos, from top left:

1. Shakespeare's bust, above his grave in Trinity Church

2. Shakespeare's epitaph, on his gravestone (photo from 2014, since I didn't get a really good one this time around. N.B., the photo is actually upside down, for somewhat greater ease of reading the inscription.)

3. Trinity Church -- the graves of Shakespeare and his family are located in the part to the left of the tower.

4. River Avon, with RSC Theatre and, in the background, the spire of Trinity Church

5. RSC Theatre

6. Shakespeare's Birthplace (Henley Street)

7.Shakespeare Birthplace Trust centre, next to the actual Henley Street Birthplace building

8. Hall's Croft, garden view

9.New Place and Guild Chapel (photo from 2014)

10. New Place gardens, looking towards RSC and Swan Theatres (also a photo from 2014 -- we didn't make it inside New Place this time around, though we did pass by there on our way from our B&B to the RSC theatre and to Henley Street and back).

Now, since Manuel Antao elsewhere insisted on "the full list" -- the grand total result of the above-mentioned shopping sprees, plus a brief supplementary foray into an airport W.H. Smith, was the following:

CDs:

* William Shakespeare: Antony & Cleopatra: Music and Speeches from the 2017 Royal Shakespeare Company Production

* William Shakespeare: Julius Caesar: Music and Speeches from the 2017 Royal Shakespeare Company Production

* William Shakespeare: King Lear: Music and Speeches from the 2016 Royal Shakespeare Company Production -- which alas I had to miss, but it starred Antony Sher as Lear, whom I saw as Falstaff in 2014 ... which in turn was just about all the reason I needed to get the audio version of his Lear, too.

*  William Shakespeare: The Tempest: Music and Speeches from the 2016 Royal Shakespeare Company Production -- which I also had to miss, but I figured even if I was a year late ... (plus, Simon Russell Beale as Prospero and directed -- like the 2016 Lear -- by Gregory Doran ...?!)

*  William Shakespeare: King Richard III, full cast audio recording starring Kenneth Branagh -- a long-time must-have from my TBR or, err, "to-be-listened-to" list.

*  The British Library, with Ben and David Crystal: Shakespeare's original pronunciation: Speeches and scenes performed as Shakespeare would have heard them -- there's a video version of this on Youtube (I think Lora posted about it here a while back), and if you haven't already seen it, I highly recommend remedying that sooner rather than later.  It gives you a whole new insight into Shakespeare's use of language ... down to lingusitic puns, allusions and images that you really only pick up on once you've heard what the Bard and his original audiences would have heard in the delivery of the respective lines.

Books: 

*  Jackie Bennett, with photographs by Andrew Lawson: Shakespeare's Gardens -- a lavishly illustrated coffee table book-sized guide to the gardens Shakespeare knew (or might have known) both in Stratford / Warwickshire and in London, as well as on the gardens of the five Shakespeare-related houses in and around Stratford, with an introductory chapter on Tudor gardening in general.  THE find of several great finds of this trip.  (And it's even an autographed copy ... as I only discovered when I unpacked the book back home!)

*  Roy Strong: The Quest for Shakespeare's Garden -- similar to the above (though smaller in format) and a great complementary book, with plenty of historical illustrations and leading up to a focus on the New Place garden, which has painstakingly been restored in period style in recent years.

*  Delia Garratt and Tara Hamling (eds.): Shakespeare and the Stuff of Life: Treasures from the Shakespeare Birthplace Trust -- an illustrated guide to Shakespeare's life and times in the style of the recently-popular "so-and-so [insert topic] in 100 objects" books, with 50 representative objects covering the key aspects of Shakespeare's life from cradle to grave.

*  Peter Sillitoe & Maurice Hindle (ed.): Shakespearean London Theatres -- what the title says, but with a handy walking map allowing the aficionado to trace not merely the locations of the various theatres but also get a sense of the areas where they were located ... or at least, their respective modern incarnations.

*  Paul Edmondson and Stanley Wells (eds.), with contributions by, inter alia and in addition to the editors, Graham Holderness, Charles Nicholl, Andrew Hadfield and John Jowett, and an afterword by James Shapiro: Shakespeare Beyond Doubt -- a scholarly refutation of the various "alternate authorship" theories.

*  Paul Edmondson and Stanley Wells (eds.), with contributions by, inter alia and in addition to the editors, Michael Wood, Graham Holderness, Germaine Greer and Andrew Hadfield, and an afterword by Margaret Drabble: The Shakespeare Circle -- a collective biography of Shakespeare's family, friends, business associates and patrons; a bit like Stanley Wells's earlier Shakespeare & Co., but not merely focusing on the other key figures of Elizabethan theatre, and with individual chapters / essays designated to individual persons (or families), instead of the continuous narrative contained in Shakespeare & Co.

*  James Shapiro: 1606: Shakespeare and the Year of Lear -- pretty much what the title implies; a follow-up to Shapiro's earlier focus on Shakespeare's life in 1599.

*  Frank Kermode: Shakespeare's Language -- also pretty much what the title says, with a joint examination of the pre-Globe plays' poetic and linguistic characteristics and a play-by-play examination of the last 16 plays, beginning with Julius Caesar.

*  Dominic Dromgoole: Hamlet: Globe to Globe -- the Globe Theatre Artistic Director's account of their recent, 2-year-long venture of taking a production of Hamlet to (literally) every single country in the world.

*  Antony Sher: Year of the Fat Knight: The Falstaff Diaries -- a must-read for anyone who's been fortunate enough to see the RSC's 2014 productions of Henry IV, Parts 1 and 2, and still a rioting good read if you haven't.  Plus, the most amazing sketches by Sher himself ... the man is an artist several times over!

*  Antony Sher & Gregory Doran: Woza Shakespeare! Titus Andronicus in South Africa -- not new, but it's been on my TBR for a while and I figured while I was at it ...

*  Sheridan Morley: John Gielgud: The Authorized Biography -- comment unnecessary.

* Jonathan Croall, with a prologue by Simon Callow: Gielgoodies! The Wit and Wisdom [& Gaffes] of John Gielgud -- a frequently hilarious complementary read to the above bio.

*  Harriet Walter: Brutus and Other Heroines: Playing Shakespeare's Roles for Women -- plus, I might add, plenty of insight into Shakespearean theatre in particular and acting in general.

*  Harriet Walter: Other People's Shoes: Thoughts on Acting -- as the title implies, more of the above, though minus the near-exclusive focus on Shakespeare. (Instead, however, also a professional autobiography of sorts.)

*  Judi Dench: And Furthermore -- her memoirs.  Very much looking forward to this one.

*  Jeanette Winterson: The Gap of Time -- Hogarth Shakespeare adaptation series, The Winter's Tale.

*  Anne Tyler: Vinegar Girl -- Hogarth Shakespeare adaptation series, The Taming of the Shrew.

* Howard Jacobson: Shylock Is My Name -- Hogarth Shakespeare adaptation series, The Merchant of Venice. (I could have gone on and gotten more of those, but I figured I'd limit myself to three to begin with ... :) )

*  Ian Doescher: William Shakespeare's Star Wars: Verily, a New Hope -- I know, I know.  Everybody but me has already read it at this point.

*  Elizabeth Norton: The Lives of Tudor Women -- a(nother) proximate choice, since I've spent so much time in their world (and that of their Plantagenet sisters / ancestors) recently, thanks in no small part to Samantha [Carpe Librum]!

*  Robert Harris: Imperium -- Cicero trilogy, book 1.  And yes, there is a Shakespeare connection even here ... think " 'twas all Greek to me."  (Also, as was to be expected, the RSC bookstore had Harris's complete Roman series on their shelves as companion reads (of sorts) to their current Roman  plays season.)

*  Yuval Noah Harari: Sapiens: A Brief History of Humankind -- no Shakespeare connection here; unless Harari should be (justly) citing to Shakespeare as an exponent of human genius, that is.  Anyway, this is where the airport W.H. Smith came in handy.

*  Michael Connelly: The Wrong Side of Goodbye -- see Harari above! :)

Plus a blue RSC silk scarf, a Macbeth quote T-shirt (can't have too much of the Scottish play, ever), a First Folio canvas bag (had to get something to carry all my new treasures home in, after all), a couple of Shakespeare- and Tudor-related postcards, and of course a few more Shakespeare quote mugs and refrigerator magnets for my respective collections.

Oxford

On the way from London to Stratford, we'd stopped by in Oxford: This being merely an extended weekend trip, we didn't have a lot of time, but since our last attempt to visit this half of Oxbridge had literally been drowned by floods of torrential rain (so we ended up spending virtually all the time in the Museum of Natural History), I'd promised my friend a short visit at least -- all the more since I myself had actually spent a few days in Oxford in the interim with my mom. Well, with the weather cooperating this time around, we at least managed a stroll along Broad Street and down Catte Street to Radcliffe Square, then past St. Mary's Church to "the High," a brief climb up Carfax Tower, and finally a visit to Hogwarts, err, Christchurch College (Tom Quad, Chapel, Great Hall and all).

Photos, from top left:

1. View from Radcliffe Square down Catte St.: Radcliffe Camera and Bodleian Library to the left; Hereford College to the right.

2. View from Carfax Tower towards St. Mary's Church, Radcliffe Camera, Hereford College, Magdalen College, and New College.

3. / 4.: Christchurch College: Tom Quad with Tom Tower (left photo) and Chapel and Great Hall (right photo).

5.: Christchurch College, Chapel.

6.: Christchurch College, Great Hall.

(We had, incidentally, also been planning for a stop in Cambridge on the return trip from Stratford, but that had to be cancelled ... which is a story for another day.  Also, this will now obviously necessitate yet another joint trip to England at some point or other!)

London

London, where we actually started our trip, was the first scheduled "shopping spree" stop: Since we've both visited London repeatedly before, no mad bouts of "mandatory" sightseeing were included; rather, merely being there tends to make both of us pretty happy campers in and of itself.  Since we've also more or less worked out a route covering the stores that we tend to hit on a routine basis whenever we're visiting, it took us all but five hours to complete our program, from Neal's Yard Remedies (at the original Neal's Yard location in Seven Dials) all the way to Fortnum & Mason's, with various other stops thrown in on the way, chiefly among those, Whittard of Chelsea and, this time around, Crabtree & Evelyn (which we actually do have in Germany, too, but the London branches had those irresistible sales ... (sigh)).  Since I knew I was going to spend a lot of money buying books in Stratford, I decided -- with a somewhat heavy heart -- to forego my usual Charing Cross Road stops on this occasion; though towards the end of the aforementioned five hours (1) my left knee started to give me serious trouble, and (2) we were already laden with our other purchases to such an extent that even I had to admit there would have been no way we'd be able to carry back books to our hotel on top, so I was grudgingly reconciled ... though only for the moment, and with the effect of instantly resolving to return to England sooner rather than later; a resolution that has since blossomed in fully-blown plans for a longer (and solo) follow-up trip, from the England / Wales border all the way to the Norfolk coast -- and in addition to plenty of sightseeing, I've also promised myself plenty of book store stops along the way.

Thomas Penn – Winter King: The Dawn of the Tudor Age

Neil MacGregor – Shakespeare's Restless World: A Portrait of an Era in Twenty Objects

Julian Curry (ed.) – Shakespeare on Stage: Thirteen Leading Actors on Thirteen Key Roles (interviews with, inter alia, Judi Dench, Ralph Fiennes, Derek Jacobi, Jude Law, Ian McKellen, Helen Mirren, Kevin Spacey and Patrick Stewart)

Hilary Mantel – Wolf Hall & Bring Up the Bodies: Dramatized Version

Ian Mortimer – The Fears of Henry IV: The Life of England's Self-Made King

William Shakespeare – Twelfth Night: 2012 Globe Theatre Production (DVD) (an all male production starring, inter alia, Mark Rylance as Olivia and Stephen Fry as Malvolio – I'd seen that production live at the Globe in 2012 and had been waiting ever since for the DVD to come out ... Best "Twelfth Night" ever!)

William Shakespeare – Henry IV, Parts I & II: Music and Speeches from the 2014 Royal Shakespeare Company Production directed by Gregory Doran (CD)

Jonathan Bate – Soul of the Age: The Life, Mind and World of William Shakespeare

Dan Jones – The Plantagenets: The Warrior Kings and Queens Who Made England

Margaret Campbell Barnes – Within the Hollow Crown: A Valiant King's Struggle to Save His Country, His Dynasty, and His Love

Eleanor Catton – The Luminaries

Ian Rankin – Saints of the Shadow Bible

George R.R. Martin – A Game of Thrones

George R.R. Martin – A Clash of Kings

Maritime Greenwich

Royal Observatory Greenwich (guide)

... plus 4 Shakespearean plays in 4 days:

Antony & Cleopatra (Globe Theatre, London – with BrokenTune [waves] – starring Eve Best as Cleopatra, Clive Wood as Antony and Phil Daniels as Enobarbus)*

Henry IV, Part 1 (RSC, Stratford, starring Jasper Britton as Henry IV, Antony Sher as Falstaff, Alex Hassell/Sam Marks as Prince Hal,** and Paola Dionisotti as Mistress Quickly)

Henry IV, Part 2 (RSC, Stratford, starring the above plus Oliver Ford Davies as Justice Shallow)

Macbeth (The HandleBards – totally hilarious.  Separate post to come!)

* BT also spotted Martin Shaw in the audience, in a middle gallery section right across from us ... (from which moment onwards our attention was, err, divided between the stage and the middle gallery).

** Sam Marks in the performances I saw – I later learned that he'd had all of 20 minutes' notice that it would be him and not Alex Hassell playing ... and boy, did he acquit himself marvelously!

Basically playing catch-up with the 30 Day Challenge because I've gotten behind.  So I'm posting Days 24 through 27 in this post.  Simple enough considering the prompts themselves.

Day 24:   A Book You Wish More People Would've Read

Hands down, Susan Cain's "Quiet: Introverts in a World That Can't Stop Talking."  I think this is required reading for introverts and extroverts alike, considering the wealth of information on personality type and learning to understand the value of introverted contributions to our society and the ways introverts think and interact.  

Especially considering I've been an introvert my whole life and this book hit the nail on the head for so many of my experiences.

Day 25:  A Character You Can Relate to the Most

Ahh, this one's difficult, for sure, so I'll choose the ones off the top of my head.  Rainbow Rowell's "Fangirl" I related to Cath because she's not only a twin, but her experiences mirror so much of my first-year in college, it's a little scary.  Though Cath's not really much like me in terms of personality.

Ida Mae from Sherri L. Smith's "Flygirl" was another character I really related to, as a woman of color and also being the odd person out trying to achieve a dream or a series of goals. I had some of the same senses of isolation and struggle that Ida Mae faces in this book, but in different contexts.

Day 26:  A Book that Changed Your Opinion About Something

All right, I'll bite on this one because it's controversial, and my choices might be as well. So, I wouldn't consider myself a regular reader of erotica or erotic romance, and there used to be a time when I didn't read the genre at all.  I think part of it was because I perused fiction that was so badly written in the genre or the ones I picked up just never appealed to me, and/or maybe it was my own biases that prevented me from picking up many of the titles.

But as I started reading past my boundaries in a myriad of different measures in these genres, I realized that there were many well written books in this genre, and that while some of the books took me well past my comfort zone with respect to content, it got me thinking more about how people perceive physical, mental, and emotional intimacy in different ways.  With respect to Tiffany Reisz's "The Siren" and the collective "Original Sinners" series - those books broke so many of my "no" buttons with respect to content that I'll admit I was unnerved and mentally I had to read them from something of a filter, but I was able to follow the reasons why those characters acted, thought, and engaged the way they did.  It wasn't the easiest thing for me to read (still isn't, and I honestly wouldn't recommend these books for people who are offended by some of the measures it touches on), but at least with every book I've picked up from this series, I did appreciate Reisz's writing.

Day 27: The Most Surprising Ending

I could think of many, but I'll choose a few that came to mind:

"Fight Club" - because...you know...I can't talk about Fight Club because it's against the rules, but the ending was a massive WTF? moment.

"Monsters of Men" - the third book in Patrick Ness's Chaos Walking Trilogy truly surprised me, but I thought it was a fitting, emotional end.  I loved it.

"All Quiet on the Western Front"  - I mentioned this before, but I didn't expect it to end in the way it did back when I read it in school.  It's a rather potent account of the horrors of war.

"Noughts and Crosses" - Dude,  this ending completely gutted me.  The whole novel is an emotional rollercoaster ride, but goodness. =(  Was not expecting that ending at all and it was pretty emotional.

I think I'm now caught up and I'll follow with the next prompt for the present day shortly

Cheers,

~Rose

Day 22 of this respective challenge and it's asking me to list books that made me cry.

Wait...didn't we already...oh.  Never mind, there's a difference between books that made you sad versus those that made you cry.  Huh.  I can think of plenty of books that made me sad, but bawl my eyes out...not a lot of them.  

Some of these are repeats and some of these are new.