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review 2020-06-14 00:38
Inheritances sellable and not
The Telling - Ursula K. Le Guin

I don't know what it is with Ursula Le Guin, but every one of her books, whatever the rate I end up giving the whole, have at least one instance where she emotionally wreaks me, and it's always exquisite. It's like looking at the page and feel like telling her "Damn, that's one beautiful dagger you are stabbing me with"*

I feel like pointing it out just because in this case, since it happens to clear my 3stars Le Guin base bar with ease to nestle by World is Forest, Forgiveness, and Left Hand. Maybe even like a caveat. Just so I can qualify that I'm biased and it's all emotionally stabbed city here.

And what stabs ME particularly, beyond the punctual sad, is the theme. While at first sight the theme seems to be religion and spirituality vs technologic advance or consumerism, what it's actually about is culture and all the infinite components that make it, and all the ways introducing an outsider element, even with the best intentions, can fuck it up enough for it to devour itself, or at least severely up-heave and endanger, what it's about is balance, and fanaticism, and dogmatic corruption. The Telling is the passing of cultural information. In it's basis, it's words, stories, oral and written, and funnily enough, when it comes down to it, science and religion are part of it, right along with dances, meals, music, rites, customs, history.

That is my interpretation for this book. As a person that loves books, and myths, and folklore, that seats to watch movies and series as a bonding activity with my family, that cleans while blasting music, that was taught religion formally even if never practiced, that learnt my regional dances from my grandmother and uncles, to cook from my grandfather, to love reading from my mother, and science from my father, this is like a love letter received, and like a verbalization of all that strange juggling or balancing act one does inside with all the pieces that make home/root/culture and seem incongruous, or even like they'd require alternate suspense of disbelief and double-though. Culture is a mess, and it's incongruous, and unfathomably vast, and it's made of big and little pieces that sometimes contradict, and it does never really make sense. But it's the ground you stand upon; to try to erase it is to loose your step. And its life-blood is the word.


*(and if you get internet in heaven, I hope you get this... from my catholic raised, agnostic leaning towards atheism ass... which is a bad joke that only makes sense in theme)

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review 2020-05-26 09:17
Monstrous Devices
Monstrous Devices - Damien Love

[I received a copy through NetGalley, in exchange for an honest review.]

One of my favourite themes being in here, I still enjoyed the story for that aspect, but I admit that otherwise, I didn’t enjoy this book as much as I expected to.

While it definitely deals with cool concepts (the aloof, badass grandpa; the robots; the mysterious men wanting Alex’s just as mysterious robot; their magic, both awesome and gruesome), plot-wise the story was also completely over the place. In a way, it reminded me precisely of the way I envisioned stories myself when I was a young reader: “Something mysterious! A bully! School woes! Something else happens! Grandpa arrives! Mum is not happy with him! Something else happens! Let’s run away!” And so on. So perhaps this would appeal to a 10-year old audience? I’m not entirely sure either. (To be clear, it’s not the fast pace itself I found problematic—such a pace can be very powerful indeedØ…—but the disjointed way in which it was handled.)

“Monstrous Devices” also contains a very specific pet peeve of mine, a.k.a “I’m not telling you anything because for some reason, I think it will protect you, yet I completely fail to see that it actually endangers you more.” I don’t know why this trope is so prevalent. Just talk to your kids, people, they’re not stupid, and if you think it’s OK to take them traipsing all over Europe while pursued by murderous robots, then why not equip them to deal with it better, hm? (And as a result, the reader is none the wiser either. Having a few things left open at the end, for the next volume or two, is cool; having too many is not.)

Conclusion: 2.5/5. Cool themes, and this will probably work for part of the intended audience at least, but not so much for me.

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review 2020-03-13 16:06
Fair, Unremarkable Thriller
Something She's Not Telling Us - Darcey Bell

Charlotte’s brother’s latest girlfriend Ruth is greeted with some justified suspicion in Darcey Bell’s Something She’s Not Telling Us.  His history of dating highly unstable women, occasional lapses in sobriety and a demonstrated lack of judgement cause his family to scrutinize his latest conquest.  On the other hand, Charlotte is revealed to be an overprotective, paranoid and obsessive person who has some serious problems with objectivity and a tenuous grip on reality herself. Such a character makes for an interestingly biased perspective. This type of “protagonist” is an unreliable narrator akin to those Bell has employed in the past—one that causes the reader to immediately be on guard when evaluating her version of events. Other chapters feature the point of view of Ruth, another source that is transparently skewed. Fans of A Simple Favor and the film upon which it is based may be somewhat disappointed by Bell’s latest effort, for although the novel contains some innovative twists and is well written, it suffers from an overabundance of side plots that distract and stretch credulity. The psychology of the villain is incompletely developed, and her motives are insufficiently substantial to warrant the extremity of her actions. The reader is also left guessing as to why Ruth elects to victimize Rocco’s family, and Charlotte and her family are so unlikeable that not a lot of pity is generated for them. The big revelations are a bit predictable and banal, and the ending falls short of climactic. In sum, Something She’s Not Telling Us is diverting enough as a standard suspense story, but unfortunately is not one that is particularly remarkable or memorable.

 

Thanks to the author, Harper Collins and NetGalley for an advance copy of this book in exchange for an unbiased review.

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review 2019-12-28 18:36
Good collection of essays that form a memoir
I'm Telling the Truth but I'm Lying - Bassey Ikpi

FYI - the kindle edition of this book is on sale.

 

Ikpi was part of the Def Poetry Jam, but this is a collection of essays  that function as a memoir.  If you or some one you know is dealing with mental illness, this is a very good read.

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review 2019-09-30 13:27
Beware Of Greeks Bearing Gifts.



The Siege of Troy: A novel

Theodor Kallifatides

Translated from the Swedish edition by Marlaine Delargy

Paperback: 208 pages

Publisher: Other Press (September 10, 2019)  

ISBN-10: 159051971X

ISBN-13: 978-1590519714

https://www.amazon.com/Siege-Troy-Novel-Theodor-Kallifatides/dp/159051971X           

 

Reviewed by Dr. Wesley Britton

               

It's been decades since I read Homer's The Iliad,  so my memory of it is extremely dim. I remember many of the stories, the abduction of Helen, the famous Greek warriors who besieged the city of Troy for 10 years, the use of poetic devices like the opening "Invocation to the Muse," the long descriptions of soldier's armor, etc.

 

Now, Swedish author Theodor Kallifatides has re-imagined the Iliad for modern readers and I suspect most non-scholars of Greek literature are going to prefer the new version. For one matter, all the poetic devices are stripped away and replaced by a much simpler prose narrative. For another, Kallifatides created a framework for his retelling that has a Greek schoolteacher recounting the story of The Iliad day-by-day to one of her classes during World War II when airstrikes repeatedly forced the class to run to nearby caves for protection.

The 1940s set part of the novel includes an ongoing love triangle as well as interactions between the German occupiers and local citizens. I'll confess, I was drawn into this story as much as the retelling of events in ancient Troy. It's a fresh approach even if the two storylines don't really parallel each other.

 

In regards to the old, old stories, I had forgotten just how bloody the war was. I was often surprised by the number of combatants. That many warriors, on both sides, dying in droves and droves? Seems historically doubtful, but I could be wrong.

 

I had also forgotten just how Achilles was a stubborn, selfish, and petulant figure. I didn't know his death by way of an arrow in his heel is not a story in the Iliad and thus not in The Siege of Troy either. The same is true of the Trojan Horse episode which wasn't told until Virgil's Aeneid. I didn't know that either until I did some homework to see why things in Homer's poem weren't in the Kallifatides reworking. Well, Kallifatides turns out to be a very faithful adapter of the ancient stories although he left many things out, mostly descriptions of the various armies and the quarrels between the gods which appear much less frequently in The Siege of Troy.

Author Theodor Kallifatides is actually Greek but immigrated to Sweden where his works are first published in Swedish. The Siege of Troy is his second work Translated by Marlaine Delargy, the first being the 2018 Another  Life. Sounds like a book I would like to explore as The Siege of Troy was one of my favorite readings of 2019. Hopefully, for you too.

 

 

This review first appeared at BookPleasures.com on Sept. 25, 2019:

 

 

tor

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