That was such a cute comforting read.

 

At first, I was a bit "meh", but it grew on me as I read. There is nothing groundbreaking or uniquely though provoking here, but more of a hodgepodge-crew-as-family gone on a long job, told in chapters of a more or less episodic nature. It's a bit like watching a half-season series in book form.

 

I liked that it was kinda corny, that there were a lot of different types of relationships and love forms, and that on the whole, it was positive and hopeful. A bit naive, a bit anvilicious, but exactly the cheery soup that you need sometimes.

When humans left a mostly destroyed earth ("When earth was all used up") humanity scattered to the stars.  The Wayfarer is a ship that travels the stars and tunnels wormholes from various points.  Into the mix comes Rosemary, a woman running from her past, or rather her family's past.  She's never really been around aliens so we're encountering these aliens through her eyes.  They have been offered a very good job but it comes with complications.  Their navigator is dying and change is going to make their lives different.  

 

Kizzy, well, I've worked with Kizzy's and they're fine at a bit of a distance.

 

This was a fun read, the characters were interesting and I liked how the characters behaved and interacted, things were never ideal but people were clearly themselves.  I liked how the relationships developed.  I'm looking forward to the next in the series.

Ich liebe ungewöhnliche Veröffentlichungsgeschichten. Becky Chambers Danksagung in ihrem Debütroman „The long way to a small, angry planet” zauberte mir deshalb ein entzücktes Lächeln ins Gesicht. Sie berichtet darin von der Kickstarter-Kampagne, ohne die sie ihr Buch nicht hätte veröffentlichen können. Wildfremde Menschen griffen ihr 2012 finanziell unter die Arme, damit sie „The long way“ fertigschreiben und im Selfpublishing 2014 auf dem Markt bringen konnte. Ist das nicht wundervoll? Seitdem nahm ihre Karriere als Autorin kräftig Fahrt auf; aus dem Debüt wurde die Trilogie „Wayfarers“. Bei mir landete der Science-Fiction-Roman, weil mich der Titel einfach neugierig machte.

 

Als Rosemary Harper alle Brücken hinter sich verbrannte, war sie gründlich. Sie wollte so weit weg, wie nur möglich – was läge näher, als auf einem Raumschiff anzuheuern? Die Wayfarer ist allerdings nicht ganz das, was sie erwartet hatte. Die Crew steht ständig kurz davor, komplett im Chaos zu versinken und das Schiff selbst… nun, die Bezeichnung „Schrottkiste“ würde wohl ihre Gefühle verletzen. Kaum zu glauben, dass die Wayfarer regelmäßig engagiert wird, um Löcher ins All zu bohren. Dennoch findet Rosemary inmitten des wilden Haufens verschiedener Spezies, wonach sie sich sehnte: ein Heim und echte Freundschaft. Ihr Glück scheint perfekt, als der Crew der Auftrag ihres Lebens angeboten wird. Sie sollen einen Hyperspace-Tunnel zu einem weit entfernten kleinen Planeten errichten. Gelingt es ihnen, haben sie ausgesorgt. Leider gibt es einen gewaltigen Haken. Der betreffende Planet ist dauerhaftes Kriegsgebiet und Rosemary ist besorgt, dass sie ihr dunkelstes Geheimnis auf der langen, riskanten Reise nicht verbergen kann. Doch auf ihrem abenteuerlichen Weg durch die gefährlichen, verwirrenden Weiten des interstellaren Raums lernt Rosemary, dass manche Verbrechen vergeben werden können – und andere nicht.

 

Ich bin reiner Science-Fiction gegenüber noch immer skeptisch. Es wird langsam besser, aber mein Vorurteil, dass ich mit diesem Genre Schwierigkeiten habe, ist so fest in meinem Kopf verankert, dass ich vor jedem neuen Vertreter Sorge habe, dass mir das Buch nicht gefallen könnte. Die Zweifel hätte ich mir bei „The long way to a small, angry planet” sparen können. Der Trilogieauftakt ist fantastisch! Spannend, emotional mitreißend und nicht zu technisch. Für Hardcore-Fans ist er vermutlich etwas zu weichgespült, für eine Leserin wie mich, die sich vorsichtig in das weite Feld der Science-Fiction vorwagt, ist er hingegen die absolut perfekte Lektüre. Die Geschichte lebt von ihren Charakteren. Becky Chambers veranstaltet ein Freudenfest der Diversität und präsentiert tolerant und einfühlsam einen bunten Strauß verschiedener Spezies, die sich äußerlich, sprachlich und kulturell stark unterscheiden. Im Mittelpunkt steht die Crew der Wayfarer, die ihren Lebensunterhalt damit verdient, intergalaktische Tunnel ins All zu bohren. Ich habe keine Ahnung, ob der wissenschaftliche Ansatz dieser Bohrungen fundiert ist. Für mich klang er überzeugend und plausibel. Ihr neuster, heikler Auftrag stammt von der Regierung, für die sie einen Tunnel zu dem rohstoffreichen, doch kriegerischen Planeten Hedra Ka installieren sollen. Gier ist also noch immer die Triebfeder der Wirtschaftspolitik der Zukunft. Die politische Ebene der Geschichte findet allerdings eher hintergründig statt; sie beeinflusst das Zusammenleben der Spezies und ist die Initialzündung für die spannende Reise der Wayfarer, wird jedoch eher am Rande und selten explizit thematisiert. Für die Reise selbst gilt das Motto „Der Weg ist das Ziel“, denn sie bietet mit ihren aufregenden Stationen den Rahmen für die emotionalen Erlebnisse der Figuren, durch die die Leser_innen die berauschende Vielfalt in Chambers Universum kennenlernen. Ich spürte, wie viel Freude die Autorin daran hatte, das Verhältnis der Spezies zu untersuchen und zu erforschen, welche Konzepte als menschlich gelten. Was empfinden Menschen als akzeptabel und wie reagieren wir, wenn wir mit anderen Lebens- und Beziehungsentwürfen konfrontiert werden? Ich fand diese Fragen im Kontext des speziellen Worldbuildings hochinteressant, weil Menschen in „The long way“ keine dominante Spezies sind und eher geduldet als geschätzt werden. Dadurch sind die Reaktionen anderer Völker auf menschliche Eigenarten äußerst faszinierend, die natürlich gerade im beengten Raum der Wayfarer zu beobachten sind. Schließlich ist das Schiff eine fliegende WG. Ich habe die Besatzung der Wayfarer unglaublich schnell ins Herz geschlossen. Becky Chambers macht es ihren Leser_innen durch unauffällige, aber umfassende und exakte Charakterisierungen sehr leicht, Sympathien selbst für nicht-menschliche Figuren zu entwickeln. Deshalb fand ich „The long way“ nicht nur sensationell, sondern auch erfrischend optimistisch: allen Stolpersteinen der Völkerverständigung zum Trotz ist ein friedliches Miteinander verschiedener Spezies möglich.

 

Leseerlebnisse wie meine Erfahrung mit „The long way to a small, angry planet“ helfen mir, meine überholte Überzeugung, dass Science-Fiction nichts für mich ist, aufzuweichen. Ich brauche Bücher wie diesen modernen, exzellenten Trilogieauftakt, um endlich zu verinnerlichen, dass diese Pauschalisierung Quatsch ist. Science-Fiction ist ebenso facettenreich wie jedes andere Genre auch und Becky Chambers nutzt die Möglichkeiten, die sie bietet, wirklich voll aus. Ich fand die Lektüre wunderbar und freue mich darüber, mit wie viel Spaß sie Diversität feiert und literarisch praktiziert. Jetzt kümmere ich mich schnellstens um den Erwerb der zwei Folgebände und möchte euch „The long way“ vehement ans Herz legen, selbst wenn ihr sonst nicht für Science-Fiction zu haben seid. Becky Chambers erweist dem Genre einen unschätzbaren Dienst: sie zieht lauter neue kleine Fans heran.

We are all made from chromosomes and DNA, which themselves are made from a select handful of key elements. We all require a steady intake of water and oxygen to survive (though in varying quantities). We all need food. We all buckle under atmospheres too thick or gravitational fields too strong. We all die in freezing cold or burning heat. We all die, full stop.

Ohhhh boy. One of yesterday's posts was easy -- I state the premise, say the book lived up to the premise, and there ya go. A finished post. Today? I'm not sure I could succinctly lay out the premise in 6 paragraphs, much less say anything else about the book. It's deep, it's sprawling, it's fun and full of heart. What isn't it? Easy to talk about briefly.

 

So I'm going to cut some corners, and not give it the depth of discussion that I'd like to.

So you know how The Hitchhiker's Guide to the Galaxy starts off with the Vogon Constructor Fleet constructing a hyperspace bypass right through our Solar System? Well, if the Vogons were the megacorp doing that, the crew of the Wayfarer is your mom & pop-level company doing the same kind of work. But there are no Vogons, and it's not a hyperspace bypass they're constructing, but the metaphor works -- the Wayfarer is building/cutting/creating ways for spaceships to make it from point A to point B faster -- I'll leave the detailed explanation to Sissix or Kizzy to explain when you read it (I think it was Kizzy, but I could be wrong -- my copy is in another state, so it's hard for me to check things like that).

 

The Wayfarer is made up of a mix of species -- including human (some of which were raised on a planet, others not), the others? Well, they'd fit right in with the customers in the Mos Eisley Cantina (with names like Sissix or Kizzy) -- too difficult to explain, but they're all radically different from pretty much anything you've seen or read before. Chambers' imagination when it comes to their physiology, culture, mannerisms, beliefs is just astounding. Really it's fantastic. And the crew is a family -- when a new crew member joins, they're greeted with "welcome home." And that's just what they mean.

 

This new crew member is Rosemary Harper, our entry point into this world, too. She's never been off-planet before, doesn't understand the science behind the work they do, really only has textbook knowledge of most of the species they run into. As she learns, so does the reader. Phew. Essentially, the plot is this: the captain of Wayfarer gets a chance to make history and make more money than he's used to -- he jumps at it, but his crew has to take a freakishly long trip to get to the (for lack of a better term) construction site (see the title). This long trip is filled with dangers, encounters with family members no one has seen in ages and old friends. And pirates. Even when they get to the construction site, the challenges are just beginning and everyone on board is going to be put through the wringer just to survive.

 

In the midst of all this is laughter, love, joy, pain, sorrow, and learning. Rosemary becomes part of the family -- by the actions of the crew bringing her in, and through her own reciprocal actions. Now, many parts of this book seem slow -- but never laboriously slow -- it's the way that Chambers has to construct it so that we get the emotional bonds between the characters -- and between the characters and the reader -- firmly established, so that when the trials come, we're invested. I was surprised how much I cared about the outcomes of certain characters at the end -- it's all because Chambers did just a good job building the relationships, nice and slow. The book frequently feels light -- and is called that a lot by readers -- but don't mistake light for breezy.

 

I want to stress, it's not laboriously slow, it's not boring. It's careful, it's well-thought out. It's your favorite chili made in the slow cooker all day, rather than dumping the ingredients in a pot an hour or so before dinner. It occasionally bugged me while reading, but by that time, I was invested and had a certain degree of trust for Chambers -- and by the time I got to the end, I understood what she was doing in the slow periods and reverse my opinion of them.

 

I frequently felt preached at while reading this book. There were agendas all around and these characters did what they could to advance them. Most of the speechifying and preaching worked in the Wayfarer Universe, but not in ours. When I read it, I had no problem with it -- but the more I think about it, the less I agree and the more annoyed I get. The opening quotation was one of the themes pushed, another had to do with family and/or brothers -- but the best lines about those involve spoilers or need the context to be really effective, so go read them yourselves. I don't want to get into a debate with the various characters in the book, so I'll bypass the problems I have with just the note that I have them. But in the moment and in the context of the novel, the writing behind the characters' points/values, the emotions behind them are moving, compelling and convincing -- and that's what you want, right?

 

It is super, super-easy to see why this won buckets of awards -- and probably deserved most (if not all) of those awards. This is one of the better space operas I've read in the last few . . . ever, really. It's easy to see why it got the hype and acclaim it did, and while I might not be as over-the-moon as many readers are with it, I understand their love. I heartily enjoyed it, and can see myself returning to this universe again soon.

 

As far as the star rating goes? I've vacillated between 3-5 a lot over the last week or so (including while writing this post), usually leaning high -- so take this one with a grain of salt, it's how I feel at the moment. (that's all it ever is, really, but I'm usually more consistent)

Becky Chambers might be my new hero
Before I finished my last read, I started poking around in The Long Way to a Small Angry Planet by Becky Chambers, trying to pick my next read, when I noticed the page “A special note from Becky Chambers” all the way in the back. I assumed it would be an acknowledgement page or maybe a teaser for an upcoming book or even just a note to her fans, but instead, Chambers included a note to encourage aspiring writers not to give up.

The timing couldn’t have been better. I’ve been pretty down on my own writing for quite a while now, and a few weeks ago, I came closer to quitting altogether than I have in several years. I decided to give it one more push and started getting up early every day to write before work, and a few days in, I read that note from Chambers and I knew (a) I was DEFINITELY reading this book next and (b) that bit of inspiration was exactly what I needed to face a 5am alarm.

I was worried I couldn’t be objective about the book after that, even if I didn’t like it, but not to worry: it’s great.

The story follows the crew of the Wayfarer, a tunneling ship that creates wormholes. The diverse crew includes a woman from a lizard-like species (but do not call her a lizard), a doctor/chef with six arm-legs, a sentient AI named Lovey who communicates between the ship’s systems and crew and is in a not-so-secret relationship with one of the crew. The newest addition is Rosemary, hired as a clerk to file forms and communicate with the Galactic Council, but she’s running from a secret past that may or may not put her job in jeopardy if anyone finds out the truth.

They’re heading for their biggest job yet, creating a tunnel between GC territory and the galaxy’s core to allow easier harvesting and transport of ambi, a powerful fuel harvested from the event horizon of black holes. The catch: they have to tunnel through a war zone. It’s a dangerous mission but one that will pay more than most of their other jobs combined, one that will allow them to upgrade the ship and compete for even bigger jobs.

Aside from a few tense moments, there’s not a lot of high drama. Instead, Chambers builds world upon world upon world filled with different species across a whole spectrum of physical forms and cultures. Accordingly, there’s a lot of exposition, the kind of thing I usually hate, but somehow, it works. The crew of the ship have genuine affection for each other, and much of the exposition comes as newcomer Rosemary gets to know them. There’s a gentle sentimentality here that drew me in and made me root for the characters, even that one unlikable guy who becomes sympathetic when we learn about what he’s been through. In lesser hands, this book could have been a boring schlockfest, but Chambers is good enough and smart enough to make it work. This is one of my favorite reads of the year, and I can’t wait to find out where she'll take me next.

(This review was originally posted as part of Cannonball Read 10: Sticking It to Cancer, One Book at a Time.)