The Great Wave Learning from Van Gogh & Hokusai about 19th Century Art

Reconsidering Transcendence in Art Presence or Absence of divine Learning from Van Gogh & Hokusai by Nataša Pantović

The late 1800s was the time of Impressionism as a radical art movement , centered around Parisian painters, the wave that rebelled against classical subject and gave respect to Mother Nature.

Travelling to their thought-form, Vincent van Gogh to the artist friend Emile:

Letter from Vincent van Gogh to Emile Bernard, Saint-Rémy, 1889

“But now look, ... you surely can't seriously imagine a confinement like that, in the middle of the road, with the mother starting to pray instead of suckling her child? Those bloated frogs of priests on their knees as though they're having an epileptic fit are also part of it, God alone knows how and why!

No, I can't call that sound, for if I am at all capable of spiritual ecstasy, then I feel exalted in the face of truth, of what is possible, which means I bow down before the study - one that had enough power in it to make a Millet tremble - of peasants carrying a calf born in the fields back home to the farm.

That, my friend, is what people everywhere, from France to America, have felt. And having performed a feat like that, can you really contemplate reverting to medieval tapestries? Can that really be what you mean to do? No! You can do better than that, and know that you must look for what is possible, logical and true.”

Letter from Vincent van Gogh to Emile Bernard, Saint-Rémy, 1889

“Now to enlighten you, my dear M. Van Gogh, ... I am searching for and at the same time expressing a general state of mind rather than a unique thought, to have someone else's eye experience an indefinite, infinite impression. To suggest a suffering does not indicate what kind of suffering: purity in general and not what kind of purity. Literature is one (painting also). Consequently, suggested and not explained thought.”

Letter from Paul Gauguin to Theo van Gogh. At this time, Vincent was 36 year old.

The Starry Night Vincent Van Gogh, 1889 & Japanese print Hokusai Great Wave 1833

First seen outside Japan in the 1880s, Van Gogh's brother was one of the first Europeans to collect Japanese prints and has admired Japanese art.

Starry Night (1889), was created while Vincent was a patient at Saint-Paul-de-Mausole Asylum in France 

"The artist always comes up against resistance from nature in the beginning, but if he really takes her seriously he will not be put off by that opposition, on the contrary, it is all the more incentive to win her over - at heart, nature and the honest draughtsman are as one.” Vincent Van Gogh to his brother” “The struggle with nature is sometimes a bit like what Shakespeare calls “the taming of the shrew””. Vincent van Gogh Letter to Theo van Gogh, 1881 in Etten, At this time, Vincent was 28 year old.

“A-Ma: Alchemy of Love”, uma narrativa passada em Macau sobre “a busca pela verdade”

Ancient Greek Numbers and their Symbols

Learning from Pythagoras Tetractys Art, Education, Symbols and Signs, consciousness

The Ancient Greek Numerical System

Pythagoras Symbols Numbers and Tetractys by Nataša Pantović

The divine number, the holy holy Tetractys, we find as a symbol expressing god / divine. The number or a symbol: + , 10, used in Ancient Greece, in Ancient China, and within the Kabbalistic Tree of Life, with its ten spheres.

Tetractys Pythagoras and the Meaning of the number 10 Ten

Ancient Greek Numbers & Corresponding Letters

Have you ever wonder how the Ancient Greek Numerical system looked like? Knowing the Roman numbers (I II III IV V VI VII VIII IX X MCC ) give us an important clue, that the Ancient Greek Numerology must have had alphabetic letters assigned to a number. Manipulating numbers, for our wise ancestors, and ancient philosophers,  have also meant, the metaphysics of sounds.

When Ancient Greek Philosophers, and Pythagoras spoke of one (1), two (2), three (3), and four (4 ) they also spoke of the SOUNDS.

Belief in one God in ancient Egypt and 400 Amarnu Letters 1350 BC

European Neolithic Advanced Civilizations about X and SH of JeShu and Serbian NiSh

Sounds of Neolithic Medditeranean

Ancient Scripts De-Coding Research into Symbols by Nataša Pantović

Ancient Greek Canaan Tablets or Ancient Egyptian Amarna Letters 1,350 BC

When you get such an important archaeological findings, as the first ever stone letters written in 1,350 BC, found in Ancient Egypt called Ancient Greek, you start to wonder... The lingua franca used during the Late Bronze Age in the area was Akkadian. In 1887, a local Egyptian woman has uncovered a cache of over 300 cuneiform tablets now known as Amarna Letters.

Research and excavations of Amarna Letters

The letters are written in cuneiform and from 382 tablets: 350 are letters from the Pharaoh to his Rulers in Babylonia, Assyria, Mittani, Arzawa, Alashia and Hatti. You can explore them following your own research in the places all over the world:

• 203 in Berlin (Vorderasiatisches Museum)

• 49 or 50 in the Cairo Museum

• 95 in the British Museum

• 22 in the Ashmolean Museum in Oxford (found by Petrie)

• 7 in the Louvre

• 9 in private collections

• 2 in the Metropolitan Museum New York (acquired by M. Chassinat)

Pharaohs of Canaan and Babylon

Currently known as Canaan (that within its name hid all the important God's sounds “aa”) was in Ancient Egypt and it is most famous for its Amarna Letters from the time of the Babylon Kingdom sent by the Ancient Egyptian Pharaoh AKHeNaTeM during his reign 1,350 BC to 1,330 BC, to his Rulers around the country. Canaan is also known as Phoenicia or present day Lebanon, Syria, Jordan, and Israel.amarna letters

Ama Dios (9 AoL Consciousness Books Combinerd) Free on the 27th Oct Amazon