In the gentle Shrewsbury spring of 1140, the midnight matins at the Benedictine abbey suddenly reverberate with an unholy sound—a hunt in full cry. Persued by a drunken mob, the quarry is running for its life. When the frantic creature bursts into the nave to claim sanctuary, Brother Cadfael finds himself fighting off armed townsmen to save a terrified young man. Accused of robbery and murder is Liliwin, a wandering minstrel who performed at the wedding of a local goldsmith's son. The cold light of morning, however, will show his supposed victim, the miserly craftsman, still lives, although a strongbox lies empty. Brother Cadfael believes Liliwin is innocent, but finding the truth and the treasure before Liliwin's respite in sanctuary runs out may uncover a deadlier sin than thievery—a desperate love that nothing, not even the threat of hanging, can stop.
It’s been quite a while since I visited Brother Cadfael and perhaps because of that time lapse, I really enjoyed this novel. There truly aren’t too many options for murder in the 12th century, so one story is very like the last. I would classify these books as “cozy mysteries,” and it surprises me how much I like them, not usually being a fan of the cozy. I think it’s the historical nature of the tales that grabs me. It’s like learning history by osmosis while enjoying a good story.
Probably it also helped that I felt like I was getting away with something! I have a stack of previously signed out library books and theoretically this one should have waited until I made some progress on them. Instead, I plunged into this one right away and finished it in only an evening.
Peters does such a wonderful job of populating the abbey with the full spectrum of human frailties! The arrogant, the snob, the teacher, the compassionate, the seeker of justice, everybody is present and we get to observe their interactions. Her grasp of human behaviour is so accurate!
The result may not be tremendously surprising, but the journey is always enjoyable.